It was some moments before he could recover himself, or shake off the
horror which had seized upon his soul. He listened, and with infinite
satisfaction observed an unbroken silence throughout the house. He
smiled at his own terrors, attributed them to the events of the day or
the presence of the corpse, and determined not to look down into the
lower room till he should be summoned thither in the morning. He walked
to the casement, and peered through at the night. The clouds were many,
black, and lowering, and the face of the sky looked angry, while the
wind moaned with a strange and eerie sound. He turned from the window,
with the intention of again trying to sleep, but the light from below
attracted his eye, and he could not pass the aperture without taking
one glance at the coffin and its lonely watcher.
Ruth was earnestly gazing at the lower end of the room upon something
without the sight of Owen. His attention was next fixed upon the
corpse, and he thought he had never seen any living thing so lovely;
and so calm was the aspect of her repose that it more resembled a
temporary suspension of the faculties than the eternal stupor of death.
Her features were pale, but not distorted, and there was none of the
livid hue of death in her beautiful mouth and lips; but the flowers
in her hand gave stronger demonstration of the presence of the power
before whose potency their little strength was fading--drooping with a
mortal sickness, they bowed down their heads in submission, as one by
one they dropped from her pale and perishing fingers. Owen gazed till
he thought he saw the grasp of her hand relapse, and a convulsive smile
pass over her cold and rigid features. He looked again. The eyelids
shook and vibrated like the string of some fine-strung instrument; the
hair rose, and the head cloth moved. He started up ashamed.
‘Does the madness of this woman affect all who would sleep beneath her
roof?’ he thought. ‘What is this that disturbs me, or am I yet in a
dream? Hark!’ he muttered aloud, ‘What is that?’
It was the voice of Ruth. She had risen from her seat, and was standing
near the coffin, apparently addressing someone who stood at the lower
end of the room.
‘To what purpose is your coming now?’ she asked in a low and melancholy
voice, ‘and at what do you laugh and gibe? Lo! behold. She is here, and
the sin you know of cannot be. How can I take the life which another
has already withdrawn? Go, go, hence, to your cave of night, for this
is no place of safety for you.’ Her thoughts now took another turn.
She seemed as if trying to hide someone from the pursuit of others.
‘Lie still! Lie still!’ she whispered. ‘Put out your light! So, so,
they pass by, and do not see you. You are safe; good-night, good-night.
Now will I home to sleep,’ and she seated herself in her chair, as if
composing her senses to rest.
Public-domain text, read in full here on John Shaqi.
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