He was twenty-two when he returned to his native town, with a little
money and a young wife. A daughter was born to him, and grew to be
the most beautiful girl in Neisse. Her father prospered, made money,
and became mayor. Indeed, he was a little king in his own way, but was
tyrannical and exacting, and while everybody adored Brunhelda, his
pretty daughter, he was far from being respected. When any of the young
men of the village tried to win his favour in the hope of gaining the
daughter’s hand, he ordered them off with a peremptoriness that left no
doubt about his determination.
‘My girl,’ he used to boast, ‘shall marry a lord. My father was a
charcoal burner, and in my youth I knew the curse of poverty. Now I
am going to be the founder of a family, and rather than let Brunhelda
marry a humble person I would carry her to her grave.’
Although he expressed himself thus forcibly and emphatically, he did
not explain how he hoped to get a lord as a son-in-law, but that was a
detail; and, being a deep, designing, and crafty man, he probably had
some matured plan in his own mind.
Now it chanced that when Brunhelda was two-and-twenty a young artist
came to Neisse, which was famed for a very ancient church and for
marvellous views, which were to be obtained from different parts of
the town, for it stood on an eminence in a very beautiful and fertile
country. It was, therefore, no uncommon thing for artists to visit the
place. This particular one became known as Robert Kuno, and he took up
his quarters at the village inn. One day he was in the ancient church
sketching a very picturesque archway, when Brunhelda entered with
a number of other girls, laden with flowers, as they were going to
decorate the church in honour of some festival.
Robert was at once attracted by Brunhelda’s beauty, and, getting into
conversation with her, he begged that she would pose for him while he
made a drawing. She was by no means loth to do this. Indeed, she felt
flattered, for she knew she was good-looking, and she would have been
a strange woman if she had had no vanity. Robert placed her in the
position he wanted near the archway, and produced a sketch, which he
promised to turn into a painting, and he asked her to favour him again
on the morrow, which she did, and the next day, and the day after that,
and as a natural result the young artist began to talk to her in a way
which by no means displeased her, although she knew that her father
would be furious if he came to hear of it. And sure enough he did hear
of it. Some envious jade went to him, and told him that Brunhelda was
going day after day to the church to meet the artist.
Public-domain text, read in full here on John Shaqi.
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