There was no mistaking that peremptory order to depart; and, led by
the negro, I groped my way back along the corridor, and was thankful
to get into the open air. The rain had ceased, but the thunder still
growled, the lightning still flashed; the air was delightful and
refreshing after the rain. We stood for a few minutes at the entrance
to the cavern, drinking in pure draughts of the cool fresh air, when
suddenly there issued from the cave an eldritch scream, so piercing, so
agonising that it seemed to indicate suffering beyond human endurance,
so startling that I instinctively made a movement to rush back into
the interior of the cavern with a view to ascertaining the cause of
that awful cry. But Torquato gripped my arm like a vice, and drew me
forcibly away. His eyes were filled with a scared expression, and his
face told of deadly fear working within.
‘Come away, come,’ he whispered with suppressed excitement. ‘Anita is
quarrelling with her master the Devil, and he is scourging her.’
I could hardly refrain from bursting into laughter at this statement;
but Torquato looked so serious, so terribly in earnest, and evidently
so firmly believed in what he said that I refrained. He continued to
drag me along for some distance before he released my arm. He was then
breathless and agitated, and sat down on a rock, and removing his large
grass hat, he scraped the beads of perspiration from his forehead.
I was sorry, when I came to think of it, that I had allowed myself
to be baulked in my intention to learn the cause of the strange wild
cry which presumably came from Anita’s lips; and for an instant I was
tempted to reascend the mountain and enter the cavern again. But a
glance at Torquato’s scared face caused me to alter my mind, and in a
few minutes we recommenced the descent, and in due time got back to the
station. I had then come to feel a conviction that Anita was a humbug,
and the scream was part of her imposition.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account