Shortly after this we heard a gun fired to bring us to, and the
‘Ariadne’ hailed and questioned as to her port and destination. The
answers, it appeared, were thought evasive and unsatisfactory, for
we were ordered to come close under the lee quarter of her Majesty’s
sloop-of-war ‘Tartar,’ while an officer was sent to examine our papers,
for it appeared the ‘Tartar’ had been specially detailed to keep a
look-out in those waters for a notorious pirate, who had committed
some extraordinary deeds of daring while flying the English flag, and
pretending to be a peaceful trader. This was now our only chance, and
I resolved that if the officer did not come below I would force the
companion door, and claim his protection. But I was not put to this
alternative. As soon as he arrived, I heard him desire the hatches to
be taken off, so that he could examine the hold. The inspection did
not satisfy him, for he hailed the sloop, and reported that there were
Spanish goods on board, which did not appear in the manifest.
‘Then remain on board, and keep stern lights burning all night, and
take charge of the ship,’ was the reply. In a state of irksome suspense
we remained nearly two hours, expecting every moment to hear the
officer descending. At length, to our relief, the companion doors were
unlocked, and a young man, attended by our captain, entered the cabin.
He looked surprised on seeing us, and, bowing to Isabella, apologised
for intruding at such an unseasonable hour.
‘But I was not given to understand,’ he added, ‘that there were
passengers in the ship--prisoners I should rather pronounce it, Captain
Mahone, for you seem to have had them under lock and key, which is
rather an unusual mode of treating ladies, at least in a vessel
supposed to be bound on a trading voyage. No wine, sir,’ he continued,
motioning away the bottle which the captain was hastily placing on the
table, ‘no wine, but be pleased to show me your register and bill of
lading.’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account