Midnight came; every domestic had long since retired to rest, and the
only sound that could be distinguished was the sullen howl of the
ban-dog as he bayed the waning moon. Marguerite remained in the library
in an attitude of deep meditation. The lamp that burnt on the table
where she sat was dying away, and the lower end of the apartment was
already more than half obscured. The clock from the northern angle of
the castle tolled out the hour of twelve, and the sound echoed dismally
in the solemn stillness of the night. Suddenly the oaken door at the
farther end of the room was gently lifted on its latch, and a bloodless
figure, apparelled in the habiliments of the grave, advanced slowly
up the apartment. No sound heralded its approach, as it moved with
noiseless steps to the table where the lady was stationed. She did not
at first perceive it, till she felt a death-cold hand fast grasped in
her own, and heard a solemn voice whisper in her ear, ‘Marguerite.’
She looked up; a dark figure was standing beside her. She endeavoured
to scream, but her voice was unequal to the exertion; her eyes were
fixed, as if by magic, on the form, which slowly removed the garb that
concealed its countenance, and disclosed the livid eyes and skeleton
shape of her father. It seemed to gaze on her with pity and regret, and
mournfully exclaimed, ‘Marguerite, the dresses and the servants are
ready, the church bell has tolled, and the priest is at the altar, but
where is the affianced bride? There is room for her in the grave, and
to-morrow shall she be with me.’
‘To-morrow?’ faltered out the distracted girl.
‘The spirits of hell shall have registered it,’ answered the spirit,
‘and to-morrow must the bond be cancelled.’ The figure ceased, slowly
retired, and disappeared.
Public-domain text, read in full here on John Shaqi.
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