With a calm, cold smile, Claverhouse withdrew his hand from her hold,
and made a signal to his men to prepare their arms.
"Mother, mother!" shrieked Lucy, as Mrs. Armstrong, almost breathless
from her exertions, reached the spot where she knelt, "kneel with me
before these men. The sight of your grey hairs may move their hearts to
compassion, and they may grant you the mercy they have denied me."
"William!" exclaimed Mrs. Armstrong in faltering accents, "what of my
husband and son—where are they?"
Young Crosbie’s lips trembled. He sadly shook his head. She was
answered—both had fallen at Bothwell Bridge.
"Now may I indeed kneel—kneel in sorrow and in anguish, for I am
bereaved!" And with these words the weeping widow threw herself on her
knees, and with clasped hands and upturned eyes, besought pardon for the
youth about to suffer.
"O!" she exclaimed, "if your hearts still retain one human feeling; if
they are not yet wholly seared by the bloody scenes through which you
have passed, hearken unto me this night. It is a heart-broken woman who
addresses you—one who is sorrowful even unto death. Husband and son
have fallen. The lover of my youth, and he who would have been the stay
of mine old age, are taken from me; and yet, I trust, in the midst of my
affliction, I can say, God’s will, not mine, be done! Will not, then,
the blood of two suffice you——?"
"Two!" shouted Sir Robert Grierson, "though you had lost twenty such
rebellious knaves, what matters it to us? death to all such rascals!"
"Surely," continued the widow, regardless of the interruption, "you will
feel for me, and grant my prayer. Kill not the prisoner. I have grown
old and gray with affliction, and my time on earth may not be long; but
my daughter is young in years, and her happiness is bound up in the life
of this young man. O spare her the fearful trial of losing him—bring not
down her youthful hairs with sorrow to the grave. Pardon him, I beseech
you!"
Claverhouse sternly answered "No!" and impatiently waved his hand for
them to be gone.
Public-domain text, read in full here on John Shaqi.
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