City and town life -- Fiction; Pottery industry -- Fiction; Staffordshire (England) -- Fiction; Stoke-on-Trent (England) -- Fiction
She told him her news; it was impossible for foolish Nina to conceal her
righteousness and her sense of her importance.
'Whom did you say, Miss Malpas?' asked Mr. Reuben.
'Mr. Lionel Belmont--at least, that's what he calls himself.'
'Calls himself, Miss Malpas?'
'Here's one of the telegrams.'
Mr. Reuben read it, looked at little Nina, and smiled; he never laughed.
'Is it possible, Miss Malpas,' said he, 'that you don't know who Mr.
Belmont and Mr. Pank are?' And then, as she shook her head, he continued
in his impassive, precise way: 'Mr. Belmont is one of the principal
theatrical managers in the United States. Mr. Pank is one of the
principal playwrights in the United States. Mr. Pank's melodrama
'Nebraska' is now being played at the Regency by Mr. Belmont's own
American company. Another of Mr. Belmont's companies starts shortly for
a tour in the provinces with the musical comedy 'The Dolmenico Doll.' I
believe that Mr. Pank and Mr. Belmont are now writing a new melodrama,
and as they have both been travelling, but not together, I expect that
these telegrams relate to that melodrama. Did you suppose that
safe-burglars wire their plans to each other like this?' He waved the
telegram with a gesture of fatigue.
Silly, ruined Nina made no answer.
'Do you ever read the papers--the _Telegraph_ or the _Mail_, Miss
Malpas?'
'N-no, sir.'
'You ought to, then you wouldn't be so ignorant and silly. A hotel-clerk
can't know too much. And, by-the-way, what were you doing in Mr.
Belmont's room last night, when you found these wonderful telegrams?'
'I went there--I went there--to----'
'Don't cry, please, it won't help you. You must leave here to-day.
You've been here three weeks, I think. I'll tell Mr. Smith to pay you
your month's wages. You don't know enough for the Majestic, Miss Malpas.
Or perhaps you know too much. I'm sorry. I had thought you would suit
us. Keep straight, that's all I have to say to you. Go back to
Doncaster, or wherever it is you came from. Leave before five o'clock.
That will do.'
With a godlike air, Mr. Reuben swung round his office-chair and faced
his desk. He tried not to perceive that there was a mysterious quality
about this case which he had not quite understood. Nina tripped
piteously out.
In the whole of London Nina had one acquaintance, and an hour or so
later, after drinking some tea, she set forth to visit this
acquaintance. The weight of her own foolishness, fatuity, silliness, and
ignorance was heavy upon her. And, moreover, she had been told that Mr.
Lionel Belmont had already departed back to America, his luggage being
marked for the American Transport Line.
She was primly walking, the superlative of the miserable, past the
façade of the hotel, when someone sprang out of a cab and spoke to her.
And it was Mr. Lionel Belmont.
'Get right into this hansom, Miss Malpas,' he said kindly, 'and I guess
we'll talk it out.'
'Talk what out?' she thought.
But she got in.
Public-domain text, read in full here on John Shaqi.
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