Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
At another time she had come to the window and stood in it
magnificently, and looked out because the moon had lost its way and
was dripping the strangest and most transforming brilliance into the
areaway between, turning the motif of ash-cans and clothes-lines into
a vivid impressionism of silver casks and gigantic gossamer cobwebs.
Merlin was sitting in plain sight, eating cottage cheese with sugar
and milk on it; and so quickly did he reach out for the window cord
that he tipped the cottage cheese into his lap with his free hand--and
the milk was cold and the sugar made spots on his trousers, and he was
sure that she had seen him after all.
Sometimes there were callers--men in dinner coats, who stood and
bowed, hat in hand and coat on arm, as they talked to Caroline; then
bowed some more and followed her out of the light, obviously bound for
a play or for a dance. Other young men came and sat and smoked
cigarettes, and seemed trying to tell Caroline something--she sitting
either in the profile chair and watching them with eager intentness or
else in the _chaise longue_ by the lamp, looking very lovely and
youthfully inscrutable indeed.
Merlin enjoyed these calls. Of some of the men he approved. Others won
only his grudging toleration, one or two he loathed--especially the
most frequent caller, a man with black hair and a black goatee and a
pitch-dark soul, who seemed to Merlin vaguely familiar, but whom he
was never quite able to recognize.
Now, Merlin’s whole life was not “bound up with this romance he had
constructed”; it was not “the happiest hour of his day.” He never
arrived in time to rescue Caroline from “clutches”; nor did he even
marry her. A much stranger thing happened than any of these, and it is
this strange thing that will presently be set down here. It began one
October afternoon when she walked briskly into the mellow interior of
the Moonlight Quill.
It was a dark afternoon, threatening rain and the end of the world,
and done in that particularly gloomy gray in which only New York
afternoons indulge. A breeze was crying down the streets, whisking
along battered newspapers and pieces of things, and little lights were
pricking out all the windows--it was so desolate that one was sorry
for the tops of sky-scrapers lost up there in the dark green and gray
heaven, and felt that now surely the farce was to close, and presently
all the buildings would collapse like card houses, and pile up in a
dusty, sardonic heap upon all the millions who presumed to wind in and
out of them.
Public-domain text, read in full here on John Shaqi.
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