Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
Mr. Moonlight Quill, mysterious, exotic, and oriental in temperament
was, nevertheless, a man of decision. And it was with decision that he
approached the problem of his wrecked shop. Unless he should make an
outlay equal to the original cost of his entire stock--a step which
for certain private reasons he did not wish to take--it would be
impossible for him to continue in business with the Moonlight Quill as
before. There was but one thing to do. He promptly turned his
establishment from an up-to-the-minute book-store into a second-hand
bookshop. The damaged books were marked down from twenty-five to fifty
per cent, the name over the door whose serpentine embroidery had once
shone so insolently bright, was allowed to grow dim and take on the
indescribably vague color of old paint, and, having a strong penchant
for ceremonial, the proprietor even went so far as to buy two
skull-caps of shoddy red felt, one for himself and one for his clerk,
Merlin Grainger. Moreover, he let his goatee grow until it resembled
the tail-feathers of an ancient sparrow and substituted for a once
dapper business suit a reverence-inspiring affair of shiny alpaca.
In fact, within a year after Caroline’s catastrophic visit to the
bookshop the only thing in it that preserved any semblance of being up
to date was Miss Masters. Miss McCracken had followed in the footsteps
of Mr. Moonlight Quill and become an intolerable dowd.
For Merlin too, from a feeling compounded of loyalty and listlessness,
had let his exterior take on the semblance of a deserted garden. He
accepted the red felt skull-cap as a symbol of his decay. Always a
young man known as a “pusher,” he had been, since the day of his
graduation from the manual training department of a New York High
School, an inveterate brusher of clothes, hair, teeth, and even
eyebrows, and had learned the value of laying all his clean socks toe
upon toe and heel upon heel in a certain drawer of his bureau, which
would be known as the sock drawer.
Public-domain text, read in full here on John Shaqi.
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