Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
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Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
Helplessly, listlessly, and then with what amounted to downright
unwillingness, Merlin rose, followed Olive dumbly as she picked her
way through the delirious clamor, now approaching its height and
threatening to become a wild and memorable riot. Submissively he took
his coat and stumbled up half a dozen steps into the moist April air
outside, his ears still ringing with the sound of light feet on the
table and of laughter all about and over the little world of the café.
In silence they walked along toward Fifth Avenue and a bus.
It was not until next day that she told him about the wedding--how she
had moved the date forward: it was much better that they should be
married on the first of May.
III
And married they were, in a somewhat stuffy manner, under the
chandelier of the flat where Olive lived with her mother. After
marriage came elation, and then, gradually, the growth of weariness.
Responsibility descended upon Merlin, the responsibility of making his
thirty dollars a week and her twenty suffice to keep them respectably
fat and to hide with decent garments the evidence that they were.
It was decided after several weeks of disastrous and well-nigh
humiliating experiments with restaurants that they would join the
great army of the delicatessen-fed, so he took up his old way of life
again, in that he stopped every evening at Braegdort’s delicatessen
and bought potatoes in salad, ham in slices, and sometimes even
stuffed tomatoes in bursts of extravagance.
Then he would trudge homeward, enter the dark hallway, and climb three
rickety flights of stairs covered by an ancient carpet of long
obliterated design. The hall had an ancient smell--of the vegetables
of 1880, of the furniture polish in vogue when “Adam-and Eve” Bryan
ran against William McKinley, of portieres an ounce heavier with dust,
from worn-out shoes, and lint from dresses turned long since into
patch-work quilts. This smell would pursue him up the stairs,
revivified and made poignant at each landing by the aura of
contemporary cooking, then, as he began the next flight, diminishing
into the odor of the dead routine of dead generations.
Eventually would occur the door of his room, which slipped open with
indecent willingness and closed with almost a sniff upon his “Hello,
dear! Got a treat for you to-night.”
Olive, who always rode home on the bus to “get a morsel of air,” would
be making the bed and hanging up things. At his call she would come up
to him and give him a quick kiss with wide-open eyes, while he held
her upright like a ladder, his hands on her two arms, as though she
were a thing without equilibrium, and would, once he relinquished
hold, fall stiffly backward to the floor. This is the kiss that comes
in with the second year of marriage, succeeding the bridegroom kiss
(which is rather stagey at best, say those who know about such things,
and apt to be copied from passionate movies).
Public-domain text, read in full here on John Shaqi.
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