Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
In the centre of her landaulet sat the lady in black and lavender,
chatting pleasantly first with one, then with another of that
fortunate few in cutaways who had found their way to speaking distance
in the first rush. After a while she glanced around her and beside her
with a look of growing annoyance.
She yawned and asked the man nearest her if he couldn’t run in
somewhere and get her a glass of water. The man apologized in some
embarrassment. He could not have moved hand or foot. He could not have
scratched his own ear....
As the first blast of the river sirens keened along the air, Olive
fastened the last safety-pin in little Arthur’s rompers and looked up.
Merlin saw her start, stiffen slowly like hardening stucco, and then
give a little gasp of surprise and disapproval.
“That woman,” she cried suddenly. “Oh!”
She flashed a glance at Merlin that mingled reproach and pain, and
without another word gathered up little Arthur with one hand, grasped
her husband by the other, and darted amazingly in a winding, bumping
canter through the crowd. Somehow people gave way before her; somehow
she managed to retain her grasp on her son and husband; somehow she
managed to emerge two blocks up, battered and dishevelled, into an
open space, and, without slowing up her pace, darted down a
side-street. Then at last, when uproar had died away into a dim and
distant clamor, did she come to a walk and set little Arthur upon his
feet.
“And on Sunday, too! Hasn’t she disgraced herself enough?” This was
her only comment. She said it to Arthur, as she seemed to address her
remarks to Arthur throughout the remainder of the day. For some
curious and esoteric reason she had never once looked at her husband
during the entire retreat.
IV
The years between thirty-five and sixty-five revolve before the
passive mind as one unexplained, confusing merry-go-round. True, they
are a merry-go-round of ill-gaited and wind-broken horses, painted
first in pastel colors, then in dull grays and browns, but perplexing
and intolerably dizzy the thing is, as never were the merry-go-rounds
of childhood or adolescence; as never, surely, were the
certain-coursed, dynamic roller-coasters of youth. For most men and
women these thirty years are taken up with a gradual withdrawal from
life, a retreat first from a front with many shelters, those myriad
amusements and curiosities of youth, to a line with less, when we peel
down our ambitions to one ambition, our recreations to one recreation,
our friends to a few to whom we are anaesthetic; ending up at last in
a solitary, desolate strong point that is not strong, where the shells
now whistle abominably, now are but half-heard as, by turns frightened
and tired, we sit waiting for death.
Public-domain text, read in full here on John Shaqi.
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