Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
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Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
So he walked through the supper room into a small room adjoining it,
which he had located earlier in the evening. It was a room in which
there were several large bowls of punch flanked by many bottles. He
took a seat beside the table which held the bottles.
At the second highball, boredom, disgust, the monotony of time, the
turbidity of events, sank into a vague background before which
glittering cobwebs formed. Things became reconciled to themselves,
things lay quietly on their shelves; the troubles of the day arranged
themselves in trim formation and at his curt wish of dismissal,
marched off and disappeared. And with the departure of worry came
brilliant, permeating symbolism. Edith became a flighty, negligible
girl, not to be worried over; rather to be laughed at. She fitted like
a figure of his own dream into the surface world forming about him. He
himself became in a measure symbolic, a type of the continent
bacchanal, the brilliant dreamer at play.
Then the symbolic mood faded and as he sipped his third highball his
imagination yielded to the warm glow and he lapsed into a state
similar to floating on his back in pleasant water. It was at this
point that he noticed that a green baize door near him was open about
two inches, and that through the aperture a pair of eyes were watching
him intently.
“Hm,” murmured Peter calmly.
The green door closed--and then opened again--a bare half inch this
time.
“Peek-a-boo,” murmured Peter.
The door remained stationary and then he became aware of a series of
tense intermittent whispers.
“One guy.”
“What’s he doin’?”
“He’s sittin’ lookin’.”
“He better beat it off. We gotta get another li’l’ bottle.”
Peter listened while the words filtered into his consciousness.
“Now this,” he thought, “is most remarkable.”
He was excited. He was jubilant. He felt that he had stumbled upon a
mystery. Affecting an elaborate carelessness he arose and waited
around the table--then, turning quickly, pulled open the green door,
precipitating Private Rose into the room.
Peter bowed.
“How do you do?” he said.
Private Rose set one foot slightly in front of the other, poised for
fight, flight, or compromise.
“How do you do?” repeated Peter politely.
“I’m o’right.”
“Can I offer you a drink?”
Private Rose looked at him searchingly, suspecting possible sarcasm.
“O’right,” he said finally.
Peter indicated a chair.
“Sit down.”
“I got a friend,” said Rose, “I got a friend in there.” He pointed to
the green door.
“By all means let’s have him in.”
Peter crossed over, opened the door and welcomed in Private Key, very
suspicious and uncertain and guilty. Chairs were found and the three
took their seats around the punch bowl. Peter gave them each a
highball and offered them a cigarette from his case. They accepted
both with some diffidence.
Public-domain text, read in full here on John Shaqi.
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