Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
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Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
Pulling her cloak close about her Edith darted across the Avenue. She
started nervously as a solitary man passed her and said in a hoarse
whisper--“Where bound, kiddo?” She was reminded of a night in her
childhood when she had walked around the block in her pajamas and a
dog had howled at her from a mystery-big back yard.
In a minute she had reached her destination, a two-story,
comparatively old building on Forty-fourth, in the upper window of
which she thankfully detected a wisp of light. It was bright enough
outside for her to make out the sign beside the window--the _New
York Trumpet_. She stepped inside a dark hall and after a second
saw the stairs in the corner.
Then she was in a long, low room furnished with many desks and hung on
all sides with file copies of newspapers. There were only two
occupants. They were sitting at different ends of the room, each
wearing a green eye-shade and writing by a solitary desk light.
For a moment she stood uncertainly in the doorway, and then both men
turned around simultaneously and she recognized her brother.
“Why, Edith!” He rose quickly and approached her in surprise, removing
his eye-shade. He was tall, lean, and dark, with black, piercing eyes
under very thick glasses. They were far-away eyes that seemed always
fixed just over the head of the person to whom he was talking.
He put his hands on her arms and kissed her cheek.
“What is it?” he repeated in some alarm.
“I was at a dance across at Delmonico’s, Henry,” she said excitedly,
“and I couldn’t resist tearing over to see you.”
“I’m glad you did.” His alertness gave way quickly to a habitual
vagueness. “You oughtn’t to be out alone at night though, ought you?”
The man at the other end of the room had been looking at them
curiously, but at Henry’s beckoning gesture he approached. He was
loosely fat with little twinkling eyes, and, having removed his collar
and tie, he gave the impression of a Middle-Western farmer on a Sunday
afternoon.
“This is my sister,” said Henry. “She dropped in to see me.”
“How do you do?” said the fat man, smiling. “My name’s Bartholomew,
Miss Bradin. I know your brother has forgotten it long ago.”
Edith laughed politely.
“Well,” he continued, “not exactly gorgeous quarters we have here, are
they?”
Edith looked around the room.
“They seem very nice,” she replied. “Where do you keep the bombs?”
“The bombs?” repeated Bartholomew, laughing. “That’s pretty good--the
bombs. Did you hear her, Henry? She wants to know where we keep the
bombs. Say, that’s pretty good.”
Edith swung herself onto a vacant desk and sat dangling her feet over
the edge. Her brother took a seat beside her.
“Well,” he asked, absent-mindedly, “how do you like New York this
trip?”
“Not bad. I’ll be over at the Biltmore with the Hoyts until Sunday.
Can’t you come to luncheon to-morrow?”
He thought a moment.
“I’m especially busy,” he objected, “and I hate women in groups.”
Public-domain text, read in full here on John Shaqi.
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