Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
“Friends!” he repeated, his far-away eyes fixed over the heads of the
crowd, “you’re injuring no one but yourselves by breaking in here
to-night. Do we look like rich men? Do we look like Germans? I ask you
in all fairness--”
“Pipe down!”
“I’ll say you do!”
“Say, who’s your lady friend, buddy?”
A man in civilian clothes, who had been pawing over a table, suddenly
held up a newspaper.
“Here it is!” he shouted, “They wanted the Germans to win the war!”
A new overflow from the stairs was shouldered in and of a sudden the
room was full of men all closing around the pale little group at the
back. Edith saw that the tall soldier with the weak chin was still in
front. The short dark one had disappeared.
She edged slightly backward, stood close to the open window, through
which came a clear breath of cool night air.
Then the room was a riot. She realized that the soldiers were surging
forward, glimpsed the fat man swinging a chair over his
head--instantly the lights went out and she felt the push of warm
bodies under rough cloth, and her ears were full of shouting and
trampling and hard breathing.
A figure flashed by her out of nowhere, tottered, was edged sideways,
and of a sudden disappeared helplessly out through the open window
with a frightened, fragmentary cry that died staccato on the bosom of
the clamor. By the faint light streaming from the building backing on
the area Edith had a quick impression that it had been the tall
soldier with the weak chin.
Anger rose astonishingly in her. She swung her arms wildly, edged
blindly toward the thickest of the scuffling. She heard grunts,
curses, the muffled impact of fists.
“Henry!” she called frantically, “Henry!”
Then, it was minutes later, she felt suddenly that there were other
figures in the room. She heard a voice, deep, bullying, authoritative;
she saw yellow rays of light sweeping here and there in the fracas.
The cries became more scattered. The scuffling increased and then
stopped.
Suddenly the lights were on and the room was full of policemen,
clubbing left and right. The deep voice boomed out:
“Here now! Here now! Here now!”
And then:
“Quiet down and get out! Here now!”
The room seemed to empty like a wash-bowl. A policeman fast-grappled
in the corner released his hold on his soldier antagonist and started
him with a shove toward the door. The deep voice continued. Edith
perceived now that it came from a bull-necked police captain standing
near the door.
“Here now! This is no way! One of your own sojers got shoved out of
the back window an’ killed hisself!”
“Henry!” called Edith, “Henry!”
She beat wildly with her fists on the back of the man in front of her;
she brushed between two others; fought, shrieked, and beat her way to
a very pale figure sitting on the floor close to a desk.
“Henry,” she cried passionately, “what’s the matter? What’s the
matter? Did they hurt you?”
His eyes were shut. He groaned and then looking up said disgustedly--
Public-domain text, read in full here on John Shaqi.
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