Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
The great plate-glass front had turned to a deep blue, the color of a
Maxfield Parrish moonlight--a blue that seemed to press close upon the
pane as if to crowd its way into the restaurant. Dawn had come up in
Columbus Circle, magical, breathless dawn, silhouetting the great
statue of the immortal Christopher, and mingling in a curious and
uncanny manner with the fading yellow electric light inside.
X
Mr. In and Mr. Out are not listed by the census-taker. You will search
for them in vain through the social register or the births, marriages,
and deaths, or the grocer’s credit list. Oblivion has swallowed them
and the testimony that they ever existed at all is vague and shadowy,
and inadmissible in a court of law. Yet I have it upon the best
authority that for a brief space Mr. In and Mr. Out lived, breathed,
answered to their names and radiated vivid personalities of their own.
During the brief span of their lives they walked in their native
garments down the great highway of a great nation; were laughed at,
sworn at, chased, and fled from. Then they passed and were heard of no
more.
They were already taking form dimly, when a taxi cab with the top open
breezed down Broadway in the faintest glimmer of May dawn. In this car
sat the souls of Mr. In and Mr. Out discussing with amazement the blue
light that had so precipitately colored the sky behind the statue of
Christopher Columbus, discussing with bewilderment the old, gray faces
of the early risers which skimmed palely along the street like blown
bits of paper on a gray lake. They were agreed on all things, from the
absurdity of the bouncer in Childs’ to the absurdity of the business
of life. They were dizzy with the extreme maudlin happiness that the
morning had awakened in their glowing souls. Indeed, so fresh and
vigorous was their pleasure in living that they felt it should be
expressed by loud cries.
“Ye-ow-ow!” hooted Peter, making a megaphone with his hands--and Dean
joined in with a call that, though equally significant and symbolic,
derived its resonance from its very inarticulateness.
“Yo-ho! Yea! Yoho! Yo-buba!”
Fifty-third Street was a bus with a dark, bobbed-hair beauty atop;
Fifty-second was a street cleaner who dodged, escaped, and sent up a
yell of, “Look where you’re aimin’!” in a pained and grieved voice. At
Fiftieth Street a group of men on a very white sidewalk in front of a
very white building turned to stare after them, and shouted:
“Some party, boys!”
At Forty-ninth Street Peter turned to Dean. “Beautiful morning,” he
said gravely, squinting up his owlish eyes.
“Probably is.”
“Go get some breakfast, hey?”
Dean agreed--with additions.
“Breakfast and liquor.”
“Breakfast and liquor,” repeated Peter, and they looked at each other,
nodding. “That’s logical.”
Then they both burst into loud laughter.
“Breakfast and liquor! Oh, gosh!”
“No such thing,” announced Peter.
“Don’t serve it? Ne’mind. We force ’em serve it. Bring pressure bear.”
“Bring logic bear.”
Public-domain text, read in full here on John Shaqi.
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