Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
Discussing the matter, they walked slowly back toward the château.
They decided that since Braddock Washington had seen them together
they had best depart the next night. Nevertheless, John’s lips were
unusually dry at dinner, and he nervously emptied a great spoonful of
peacock soup into his left lung. He had to be carried into the
turquoise and sable card-room and pounded on the back by one of the
under-butlers, which Percy considered a great joke.
IX
Long after midnight John’s body gave a nervous jerk, and he sat suddenly
upright, staring into the veils of somnolence that draped the room.
Through the squares of blue darkness that were his open windows, he
had heard a faint far-away sound that died upon a bed of wind before
identifying itself on his memory, clouded with uneasy dreams. But the
sharp noise that had succeeded it was nearer, was just outside the
room--the click of a turned knob, a footstep, a whisper, he could not
tell; a hard lump gathered in the pit of his stomach, and his whole
body ached in the moment that he strained agonisingly to hear. Then
one of the veils seemed to dissolve, and he saw a vague figure
standing by the door, a figure only faintly limned and blocked in upon
the darkness, mingled so with the folds of the drapery as to seem
distorted, like a reflection seen in a dirty pane of glass.
With a sudden movement of fright or resolution John pressed the button
by his bedside, and the next moment he was sitting in the green sunken
bath of the adjoining room, waked into alertness by the shock of the
cold water which half filled it.
He sprang out, and, his wet pyjamas scattering a heavy trickle of
water behind him, ran for the aquamarine door which he knew led out on
to the ivory landing of the second floor. The door opened noiselessly.
A single crimson lamp burning in a great dome above lit the
magnificent sweep of the carved stairways with a poignant beauty. For
a moment John hesitated, appalled by the silent splendour massed about
him, seeming to envelop in its gigantic folds and contours the
solitary drenched little figure shivering upon the ivory landing. Then
simultaneously two things happened. The door of his own sitting-room
swung open, precipitating three naked negroes into the hall--and, as
John swayed in wild terror toward the stairway, another door slid back
in the wall on the other side of the corridor, and John saw Braddock
Washington standing in the lighted lift, wearing a fur coat and a pair
of riding boots which reached to his knees and displayed, above, the
glow of his rose-colored pyjamas.
On the instant the three negroes--John had never seen any of them
before, and it flashed through his mind that they must be the
professional executioners--paused in their movement toward John, and
turned expectantly to the man in the lift, who burst out with an
imperious command:
“Get in here! All three of you! Quick as hell!”
Public-domain text, read in full here on John Shaqi.
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