Tales of the Long BowChesterton, G. K. (Gilbert Keith)
General
Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
“But I’d better tell you all about it. To begin with, I don’t admit it
as an explanation, but it’s only fair to allow for it as a fact--that
all that part of the world seems to be full of that sort of thing.
You know how the glamour of Glastonbury lies over all that land and
the lost tomb of King Arthur and time when he shall return and the
prophecies of Merlin and all the rest. To begin with, the village
they call Ponder’s End ought to be called World’s End; it gives one
the impression of being somewhere west of the sunset. And then the
parsonage is quite a long way west of the parish, in large neglected
grounds fading into pathless woods and hills; I mean the old empty
rectory that our wild friend has evacuated. It stood there a cold
empty shell of flat classical architecture, as hollow as one of those
classical temples they used to stick up in country seats. But White
must have done some sort of parish work there, for I found a great
big empty shed in the grounds--that sort of thing that’s used for a
schoolroom or drill-hall or what not. But not a sign of him or his work
can be seen there now. I’ve said it’s a long way west of the village
that you come at last to the old house. Well, it’s a long way west of
that that you come to the new house--if you come to it at all. As for
me, I came and I came not, as in some old riddle of Merlin. But you
shall hear.
“I had come down about sunset in a meadow near Ponder’s End, and I did
the rest of the journey on foot, for I wanted to see things in detail.
This was already difficult as it was growing dusk, and I began to fear
I should find nothing of importance before nightfall. I had asked a
question or two of the villagers about the vicar and his new self-made
vicarage. They were very reticent about the former, but I gathered that
the latter stood at the extreme edge of his original grounds on a hill
rising out of a thicket of wood. In the increasing darkness it was
difficult to find the place, but I came on it at last, in a place where
a fringe of forest ran along under the low brows of a line of rugged
cliffs, such as sometimes break the curves of great downlands. I seemed
to be descending a thickly wooded slope, with a sea of tree-tops below
me, and out of that sea, like an island, rose the dome of the isolated
hill; and I could faintly see the building on it, darker against the
dark-clouded sky. For a moment a faint line of light from the masked
moon showed me a little more of its shape, which seemed singularly
simple and airy in its design. Against that pallid gleam stood four
strong columns, with the bulk of building apparently lifted above them;
but it produced a queer impression, as if this Christian priest had
built for his final home a heathen temple of the winds. As I leaned
forward, peering at it, I overbalanced myself and slid rapidly down
the steep thicket into the darkest entrails of the wood. From there I
could see nothing of the pillared house or temple or whatever it was on
Public-domain text, read in full here on John Shaqi.
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