And still it was her nightly prayer
To live to close his sightless eyes;
For this her torturing pains to bear,
Then sink in death ere morning rise.
Who, were she gone, the staff would guide
With which he feels, amiss, his way?
Who, careful, lay the stone aside,
That might his tottering footstep stay?
Who lead him to the shelter'd stile
That fronts the sun at noontide hour,
And watch the western clouds the while
To warn him of the gathering shower?
_Unpublished Ballad from Nature._
In one of the last cottages of the village of Overhurst, dwelt Nicholas
and Sarah Foster. There, in their accustomed seats, did the neighbours
for many years find old Nicholas, still bending over the embers of his
humble hearth, and Sarah still gazing through the casement window, in
patient endurance of the evils with which each was visited.
They rest now in their quiet graves; but those who have known that
ancient couple will not easily forget their appearance, or that of all
around them: they will remember the well-polished wooden chair in which
the old woman sat, both her hands pressed tightly against her right
side, as if to quell the tortures of an agonizing and mortal complaint
which had long preyed upon her: they will remember the very dress she
wore,--such as is rarely seen of late years. But Sarah was an English
peasant of the olden time, and she changed not with the fashion of the
day. Her cap had a narrow, close, stiff border; the crown was high
and well-starched; and round it was tightly pinned a broad piece of
dark-purple ribbon. Her grey hair was turned back over a roll,--one of
the last remaining specimens of that mode of dressing the hair. Her
waist reached to her hips; her sleeves were tight, and ended at the
elbow. The gown was open in front; and the apron, which was of spotless
white, always seemed to be just out of the folds.
Her usual seat, by the long casement of their clean and decent kitchen,
commanded a view down the village street; before her was a clean deal
table, which ran the whole length of the window, and upon it lay her
spectacles and a book of prayer.
Her countenance bore the traces of extreme suffering, and her brows
were always contracted; but on her lips dwelt a patient smile. She
swayed her body incessantly backwards and forwards, as if to allay her
pain; but her voice was invariably cheerful, and even lively,--for
Nicholas was blind;--and to cheer his days of darkness was her constant
task of love.
Nicholas in his youth had been a hedger, and he still wore the
brown leather coat peculiar to his calling. His place was in the
chimney-corner; his back towards the light, his two hands resting on
his staff, his chin upon his hands, and his sightless eyes fixed on
vacancy.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account