She did not at first recollect, in the Mrs. Evans who was announced,
the merry Amy of her childhood; neither would Amy have recognised, in
the tall, slender, modish lady before her, the buxom, rosy girl who
had climbed the mountain paths, and pulled the wild flowers with her.
She hesitated for a moment, while she assured herself that, although
the complexion was less brilliant, and the full form had fined into a
marvellous taper waist, still the laughing blue eye was the same, the
expression of the free hearty smile the same, although the dimples were
not so visible in the less rounded cheek.
Mrs. Morgan, with an air of courtly breeding, bent herself gracefully
towards the stranger, waiting till she opened her business; when Amy,
half abashed at the changes which had taken place in the exterior
of her former friend, half re-assured by the kindly countenance
which spoke that the heart remained unchanged, after making a low
and respectful courtesy, began with some hesitation, "that she could
scarcely hope Mrs. Morgan would still bear in mind the childish
playmate of Mrs. Mellicent Hilton,--Amy, the daughter of old Rachael
Evans, of Poole Castle."
"What, Amy, the Queen of the May! is it you, my old friend?" exclaimed
Mrs. Morgan, holding out her hand with the frankness she brought from
the Montgomeryshire valley, unimpaired by the intercourse she had since
had with the world. "Oh! I have often wished to see you again, and
often thought what happy hours we have passed together, when we have
laughed even to tears without knowing wherefore, and sung for very want
of thought and care. But, my good Amy, your looks speak that, since
those days, you have been made acquainted with thought and care. Your
countenance is sorrowful. Is your mother, the good Rachael, well? And
David?--How comes it you are still Amy Evans? Have you been cruel after
all?"
Public-domain text, read in full here on John Shaqi.
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