Tales of the supernatural: Six romantic storiesPlatt, James
Science
Tales of the supernatural: Six romantic stories
Platt, James
Paranormal fiction
It was an inn. Its occupants concern us. They consisted of a
company of half-a-dozen youths that had palpably imbibed both long
and deep. Their carouse, however, was drawing to an end. The
landlord hovered near cogitating over his bill, and yet with an ear
to the conversation of his guests, lest haply he might catch some
word. In this he was unsuccessful, and no wonder. The language they
spoke was not only foreign to the landlord, but was that one of all
others of which the angels themselves are traditionally supposed to
be ignorant. In a word, it was Chaldee. But how did these
youngsters come to speak in the secret language of Cabala? The
reason is not far to seek. They were students of the Cabala and of
magic under a Rabbi--one of the most esteemed of his time. The
occasion they were celebrating with the flowing bowl was, indeed, no
other than the conclusion of their seven years' apprenticeship. So
far so good. But there was more in it than that. There was a
death's head at their feast. Something that necessitated for its
discussion their gift of tongues, something that took the heat from
food and made the red wine show white through their skins. Upon
entering their course they had set their hands in blood to the
customary indentures of the magical schools of that period. After
seven years (so the bond provided) only five of the pupils were to
leave their Alma Mater their occult education complete; the sixth was
forfeit to the devil, his due for acquiescence and assistance in
their studies. A point on which the academies differed was the
method of selecting among the apprentices which was to suffer as
damned soul. Some held a kind of glorified race in which the runner
that last attained the winning-post was torn asunder by the fiend.
But the Rabbi who conducted the reading party in which we are
interested had laughed at a decision made on physical grounds. The
graduates should be chosen (he thought) not for fleetness of foot,
but for the foremost quality of their sorcery. The scapegoat should
similarly be thrown out not for unsoundness of wind or limb, but for
the inadequate result of Black Art cramming. Logical enough all
this. There remained but to discriminate between the competitors.
To do this the Rabbi had decided that on the morrow of the night when
our story opens he would hold a solemn incantation. It would be the
first serious function of which the neophytes could boast. Their
seven years' candidacy had been occupied with theory and had never
ventured on practice. They would now find out the difference between
knowing how to raise the devil and doing it. A difference which is
even greater in this particular case than between word and deed in
other arts and sciences. The idea of the Rabbi was that beginning
gradually the terror should be accumulated ever thicker and faster
until it reached a point where one of the men would break. This then
would be the victim to be forced instantly from his circle and
Public-domain text, read in full here on John Shaqi.
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