American fiction -- 19th century; Short stories; Western stories
“Then,” said Johnny, in a high, shrill falsetto that startled them,
“then wot for did YOU pick up that piece o' gold in the road this
arternoon, and say nothin' of it to the men who followed ye? Ye did;
I seed yer! And ye didn't say nothin' of it to anybody; and ye ain't
sayin' nothin' of it now ter maw! and ye've got it in yer vest! And it's
mine, and I dropped it! Gimme it.”
Astonishment, confusion, and rage swelled and empurpled Staples' face.
It was HIS turn to gasp for breath. Yet in the same moment he made
an angry dash at the boy. But Mrs. Medliker interfered. This was an
entirely new feature in the case. Great is the power of gold. A single
glance at the minister's confusion had convinced her that Johnny's
accusation was true, and it was Johnny's MONEY--constructively
HERS--that the minister was concealing. His mere possession of that gold
had more effect in straightening out her loose logic than any sense of
hypocrisy.
“You leave the boy be, Brother Staples,” said Mrs. Medliker sharply. “I
reckon wot's his is hisn, spite of whar he got it.”
Mr. Staples saw his mistake, and smiled painfully as he fumbled in his
waistcoat pocket. “I believe I DID pick up something,” he said, “that
may or may not have been gold, but I have dropped it again or thrown
it away; and really it is of little concern in our moral lesson. For we
have only HIS word that it was really his! How do we KNOW it?”
“Cos it has my marks on it,” said Johnny quickly; “it had a criss-cross
I scratched on it. I kin tell it good enuf.”
Mr. Staples turned suddenly pale and rose. “Of course,” he said to Mrs.
Medliker with painful dignity, “if you set so much value upon a mere
worldly trifle, I will endeavor to find it. It may be in my other
pocket.” He backed out of the door in his usual fashion, but instantly
went over to the post-office, where, as he afterwards alleged, he had
changed the ore for coin in a moment of inadvertence. But Johnny's
hieroglyphics were found on it, and in some mysterious way the story got
about. It had two effects that Johnny did not dream of. It had forced
his mother into an attitude of complicity with him; it had raised up for
him a single friend. Jake Stielitzer, quartz miner, had declared that
Burnt Spring was “playing it low down” on Johnny! That if they really
believed that the boy took gold from their sluice boxes, it was their
duty to watch their CLAIMS and not the boy. That it was only their
excuse for “snooping” after him, and they only wanted to find his
“strike,” which was as much his as their claims were their own! All
this with great proficiency of epithet, but also a still more recognized
proficiency with the revolver, which made the former respected.
“That's the real nigger in the fence, Johnny,” said Jake, twirling his
huge mustache, “and they only want to know where your lead is,--and
don't yer tell 'em! Let 'em bile over with waitin' first, and that'll
put the fire out. Does yer pop know?”
“No,” said Johnny.
“Nor yer mar?”
Public-domain text, read in full here on John Shaqi.
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