American fiction -- 19th century; Short stories; Western stories
“That's the kind of official trash we have to pay taxes to keep up,”
said Ira, who somehow felt that if public policy was not amenable to
private sentiment there was no value in free government. Mrs. Beasley,
however, complacently resumed her dish-washing, and Ira returned to his
riata in the adjoining room. For quite an interval there was no sound
but the occasional click of a dish laid upon its pile, with fingers
that, however, were firm and untremulous. Presently Sue's low voice was
heard.
“Wonder if that deputy caught anything yet. I've a good mind to meander
up the road and see.”
But the question brought Ira to the door with a slight return of his
former uneasiness. He had no idea of subjecting his wife to another
admiring interview. “I reckon I'll go myself,” he said dubiously; “YOU'D
better stay and look after the house.”
Her eyes brightened as she carried a pile of plates to the dresser;
it was possible she had foreseen this compromise. “Yes,” she said
cheerfully, “you could go farther than me.”
Ira reflected. He could also send them about their business if they
thought of returning. He lifted his hat from the floor, took his rifle
down carefully from its pegs, and slouched out into the road. Sue
watched him until he was well away, then flew to the back door, stopping
only an instant to look at her face in a small mirror on the wall,--yet
without noticing her new prettiness,--then ran to the barn. Casting
a backward glance at the diminishing figure of her husband in the
distance, she threw open the door and shut it quickly behind her.
At first the abrupt change from the dazzling outer plain to the deep
shadows of the barn bewildered her. She saw before her a bucket half
filled with dirty water, and a quantity of wet straw littering the
floor; then lifting her eyes to the hay-loft, she detected the figure of
the fugitive, unclothed from the waist upward, emerging from the loose
hay in which he had evidently been drying himself. Whether it was the
excitement of his perilous situation, or whether the perfect symmetry
of his bared bust and arms--unlike anything she had ever seen
before--clothed him with the cold ideality of a statue, she could not
say, but she felt no shock of modesty; while the man, accustomed to
the public half-exposure in tights and spangles, was more conscious of
detected unreadiness than of shame.
Public-domain text, read in full here on John Shaqi.
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