American fiction -- 19th century; Short stories; Western stories
The novel audacity of this speech, and the fact that it suggested
that preoccupation he hoped for, relieved Ira for a moment, while it
enchanted the guests as a stroke of coquettish fascination. Mrs. Beasley
triumphantly disappeared in the kitchen, slipped off her cuffs and set
to work, and in a few moments emerged with a tray bearing the cakes and
steaming coffee. As neither she nor her husband ate anything (possibly
owing to an equal preoccupation) the guests were obliged to confine
their attentions to the repast before them. The sun, too, was already
nearing the horizon, and although its nearly level beams acted like a
powerful search-light over the stretching plain, twilight would soon
put an end to the quest. Yet they lingered. Ira now foresaw a new
difficulty: the cows were to be brought up and fodder taken from the
barn; to do this he would be obliged to leave his wife and the deputy
together. I do not know if Mrs. Beasley divined his perplexity, but she
carelessly offered to perform that evening function herself. Ira's heart
leaped and sank again as the deputy gallantly proposed to assist her.
But here rustic simplicity seemed to be equal to the occasion. “Ef I
propose to do Ira's work,” said Mrs. Beasley, with provocative archness,
“it's because I reckon he'll do more good helpin' you catch your
man than you'll do helpin' ME! So clear out, both of ye!” A feminine
audacity that recalled the deputy to himself, and left him no choice but
to accept Ira's aid. I do not know whether Mrs. Beasley felt a pang of
conscience as her husband arose gratefully and limped after the deputy;
I only know that she stood looking at them from the door, smiling and
triumphant.
Then she slipped out of the back door again, and ran swiftly to the
barn, fastening on her clean cuffs and collar as she ran. The fugitive
was anxiously awaiting her, with a slight touch of brusqueness in his
eagerness.
“Thought you were never coming!” he said.
She breathlessly explained, and showed him through the half-opened door
the figures of the three men slowly spreading and diverging over the
plain, like the nearly level sun-rays they were following. The sunlight
fell also on her panting bosom, her electrified sandy hair, her red,
half-opened mouth, and short and freckled upper lip. The relieved
fugitive turned from the three remoter figures to the one beside him,
and saw, for the first time, that it was fair. At which he smiled, and
her face flushed and was irradiated.
Public-domain text, read in full here on John Shaqi.
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