But not to sleep. His strange position, the accident to his horse, an unusual irritation over the incident of the frightened servants,--trivial as it might have been to any other man,--and, above all, an increasing childish curiosity, kept him awake and restless. Presently he could see also that it was growing lighter beyond the edge of the wood, and that the rays of a young crescent moon, while it plunged the forest into darkness and impassable shadow, evidently was illuminating the hollow below. He threw aside his blanket, and made his way to the hedge again. He was right; he could see the quaint, formal lines of the old garden more distinctly,--the broad terrace, the queer, dark bulk of the house, with lights now gleaming from a few of its open windows. Before one of these windows opening on the terrace was a small, white, draped table with fruits, cups, and glasses, and two or three chairs. As he gazed curiously at these new signs of life and occupation, he became aware of a regular and monotonous tap upon the stone flags of the terrace. Suddenly he saw three figures slowly turn the corner of the terrace at the further end of the building, and walk towards the table. The central figure was that of an elderly woman, yet tall and stately of carriage, walking with a stick, whose regular tap he had heard, supported on the one side by an elderly Cure in black soutaine, and on the other by a tall and slender girl in white. They walked leisurely to the other end of the terrace, as if performing a regular exercise, and returned, stopping before the open French window; where, after remaining in conversation a few moments, the elderly lady and her ecclesiastical companion entered. The young girl sauntered slowly to the steps of the terrace, and leaning against a huge vase as she looked over the garden, seemed lost in contemplation. Her face was turned towards the wood, but in quite another direction from where he stood.