England -- Social life and customs -- Fiction; English fiction -- 20th century; Short stories, English
I liked Clinton, and I do not mean by that that I disliked Mrs Clinton.
Indeed I admired her very much, and her husband’s position in the
household seemed just as natural to me as it did to himself and to
everybody else. Young Gregory Dulcet, who is a poet and a handsome
impudent young dog, was felt by us all to have put the matter in a shape
that was at once true in regard to our host, and pretty in regard to our
hostess, when he referred, apparently in a casual way, to Mr Clinton as
“the Prince Consort.” Mrs Clinton laughed and blushed; Muriel clapped
her hands and ran off to tell her father. She came back saying that he
was very pleased with the name, and I believe that very possibly he
really was. Anyhow, young Dulcet was immensely pleased with it; he
repeated it, and it “caught on.” I heard Mrs Clinton herself, with a
half-daring, half-modest air, use it more than once. Thus Mrs Clinton
was led to believe herself great: so that she once asked me if I thought
that there was any prospect of _The Quarterly_ “doing her.” I said that
I did not see why not. Yet it was not a probable literary event.
Thus Mr Clinton passed the days of an obscure useful life, helping his
wife, using the dining-room when dancing lessons did not interfere, and
enjoying the luxury of the study in the small hours of the morning. And
Mrs Clinton grew more and more pitiful to him; and Muriel more and more
patronising; and the world more and more forgetful. And then, one fine
morning, as I was going to my office, the Prince Consort overtook me. He
was walking fast, and he carried a large, untidy, brown-paper parcel. I
quickened my pace to keep up with his.
“Sorry to hurry you, old fellow,” said he, “but I must be back in an
hour. A fellow’s coming to interview Millie, and I promised to be back
and show him over the house. She doesn’t want to lose more of her time
than is absolutely necessary: she’s in the thick of a new story, you
see. And Muriel’s got her fiddle lesson, so she can’t do it.”
“And what’s brought you out with the family wash?” I asked in
pleasantry, pointing to the parcel.
The Prince Consort blushed (though he must have been forty at least at
this date), pulled his beard, and said:
“This? Do you mean this? Oh, this is--well, it’s a little thing of my
own.”
“Of your own? What do you mean?” I asked.
“Didn’t Millie ever tell you that I write too? Well, I do when I can get
a few hours. And this is it. I’ve managed to get a fellow to look at it.
Millie spoke a word for me, you know.”
I do not know whether my expression was sceptical or offensive, but I
suppose it must have been one or the other, for the Prince Consort went
on hastily:
“Oh, I’m not going to be such an ass as to pay anything for having it
brought out, you know. They must do it on spec. or leave it alone.
Besides, they really like to oblige Millie, you see.”
“It doesn’t look very little,” I observed.
“Er--no. I’m afraid it’s rather long,” he admitted.
“What’s it about?”
Public-domain text, read in full here on John Shaqi.
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