England -- Social life and customs -- Fiction; English fiction -- 20th century; Short stories, English
Jane had seen the matter very differently from the first. She was in
close touch with the Lexingtons and all their female friends and
relatives; she was imbued with their views and feelings, and was
unremitting in her efforts to pass them on to me. At least she made me
understand, even if I could not entirely share, what was felt at female
headquarters; but I was not going to let her see that. I did not want to
take sides in the matter, and had no intention of saying anything that
Jane could quote either to Lady Lexington or to Miss Constantine
herself.
“What is expected of her?” I asked carelessly, taking my pipe out of my
mouth.
“Nobody exactly presses her--well, there’s nobody who has the right--but
of course she feels it herself,” Jane explained. She knitted her brows
and added, “It must be overwhelming.”
“Then why in the world doesn’t she do it?” I asked. Here I was, I admit,
being aggravating, in the vulgar sense of that word. For Jane’s
demeanour hinted at the weightiest, the most disturbing reasons, and I
had in my heart very little doubt about what they were.
“Can’t you see for yourself?” she snapped back pettishly. “You were
dining there last night--have you no eyes?”
Thus adjured--and really Jane’s scorn is sometimes a little hard to
bear--I set myself to recover the impressions of the dinner-party. The
scene came back easily enough. I remembered that Katharine Constantine
and Valentine Hare had once more been sent in together, and had once
more sat side by side. I remembered also that Lady Lexington had once
more whispered to me, when I arrived, that the affair was “all but
settled,” and had once more said nothing about it when I left. I
remembered watching the pair closely.
True, I was placed, as a friend of the family, between Miss Boots, the
Lexingtons’ ex-governess, and Mr Sharples, Lady Lexington’s latest
curate (she always has one in tow; some of the earlier ones are now in a
fair way to achieve gaiters), so that there was nothing very likely to
distract my attention from the centre of interest. But I should have
watched them, anyhow. Who could be better to watch? Katharine, with her
positive incisive beauty (there was nothing of the elusive about her;
some may prefer a touch of it); the assurance of manner which her beauty
gave, and the consciousness of her thousands enhanced; her instinctive
assumption of being, of being most indisputably, Somebody; and to-night,
as it seemed, a new air about her, watchful, expectant, and telling of
excitement, even if it stopped short of nervousness--Katharine, with all
this, had a claim to attention not seriously challenged by Miss Boots’
schoolroom reminiscences, or Mr Sharples’ views on Church questions of
the day.
Public-domain text, read in full here on John Shaqi.
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