England -- Social life and customs -- Fiction; English fiction -- 20th century; Short stories, English
Winnie’s answer was a little scream and a hasty clutch at her gown; a
pail of dirty water, standing in the passage, had threatened ruin; she
recoiled violently from this peril against the opposite wall and drew
away again, silently exhibiting a long trail of dark dust on her new
grey frock. Harold laughed as he led the way into a small square room
that opened from the passage.
“That’s the parlour,” said the old woman, wiping her arms with her
apron. “You can find your way upstairs; nothing’s locked.” And with this
remark she withdrew by a steep staircase leading underground.
“She’s the caretaker,” Harold explained.
“She doesn’t seem to have taken much care,” observed Winifred, still
indignant about her gown and holding it round her as closely as drapery
clings to an antique statue.
Miss Petheram’s account of the house, its actual dimensions,
accommodation, and characteristics, has always been very vague, and
since she refused information as to its number in the street,
verification of these details has remained impossible. Perhaps it was a
reasonably capacious, although doubtless not extensive, dwelling;
perhaps, again, it was a confined and well-nigh stifling den. She
remembered two things--first, its all-pervading dirt; secondly, the
remarkable quality which (as she alleged) distinguished its atmosphere.
She thought there were seven “enclosures,” this term being arrived at
(after discussion) as a compromise between “rooms” and “pens”; and she
knew that the windows of each of these enclosures were commanded by the
windows of several other apparently similar and very neighbouring
enclosures. Beyond this she could give no account of her first half-hour
in the house; her exact recollection began when she was left alone in
the enclosure on the first floor, which Harold asserted to be the
drawing-room, Harold himself having gone downstairs to seek the old
woman and elicit from her some information as to what were and what were
not tenant’s fixtures in the said enclosure. “You can look about you,”
he remarked cheerfully, as he left her, “and make up your mind where
you’re going to have your favourite seat. Then you shall tell me, and I
shall have the picture of you sitting there in my mind.” He pointed to a
wooden chair, the only one then in the room. “Experiment with that
chair,” he added, laughing. “I won’t be long, darling.”
Public-domain text, read in full here on John Shaqi.
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