England -- Social life and customs -- Fiction; English fiction -- 20th century; Short stories, English
It was very absurd--she couldn’t stop crying; and from amid her weeping
nothing more reasonable, nothing more adequate, nothing less trivial
would come than confused murmurs of “My frock, Harold!” “My parasol!”
“Oh, my face, my gloves!” He smiled contemptuously. “Don’t you see?”
she exclaimed, exhibiting the gloves and parasol.
“See what? Are you crying because the room’s dirty?” He paused and then
added, “I’m sorry you think it mean and horrid. Very sorry, Winifred.”
Offence was deep and bitter in his voice; he looked at her with a sort
of disgust; she stopped sobbing and regarded him with a gaze in which
fright and expectation seemed mingled, as though there were a great
peril, and just one thing that might narrowly avert it. But his eyes
were very hard. She dried her tears, and then forlornly scrubbed her
cheeks again. He watched her with hostile curiosity, appearing to think
her a very strange spectacle. Presently he spoke. “I thought you loved
me. Oh, I daresay you thought so too till I came into competition with
your new frock. I beg pardon--I must add your gloves and your parasol.
As for the house, it’s no doubt mean and horrid; we were going to be
poor, you see.” He laughed scornfully, as he added, “You might even have
had to do a little dusting yourself now and then! Horrible!”
“I just sat there and looked at him.” That was Winifred’s own account of
her behaviour. It is not very explicit and leaves room for much
conjecture as to what her look said or tried to say. But whatever the
message was he did not read it. He was engrossed in his own indignation,
readier to hurt than to understand, full of his own wrong, of the
mistake he had made, of her extraordinary want of love, of courage, of
the high soul. Very likely all this was a natural enough state of mind
for him to be in. Justice admits his provocation; the triviality of her
spoken excuses gave his anger only too fine an opportunity. He easily
persuaded himself that here was a revelation of the real woman, a flash
of light that showed her true nature, showing, too, the folly of his
delusion about her. Against all this her look and what it asked for had
very little chance, and she could find no words that did not aggravate
her offence.
“This is really rather a ludicrous scene,” he went on. “Is there any use
in prolonging it?” He waited for her to speak, but she was still
tongue-tied. “The caretaker needn’t be distressed by seeing the awful
effects of her omission to dust the room; but, if you’re composed
enough, we might as well go.” He looked round the room. “You’ll be glad
to be out of this,” he ended.
“I know what you must think of me,” she burst out, “but--but you don’t
understand--you don’t see----”
“No doubt I’m stupid, but I confess I don’t. At least there’s only one
thing I see.” He bowed and waved his hand towards the door. “Shall we
go?” he asked.
Public-domain text, read in full here on John Shaqi.
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