Why was this assurance of safety heavier than a burden of fear, and why
the day that began presented itself obstinately like the last day of
all--like a to-day without a to-morrow? Yet nothing was changed, for
nobody would know; and all would go on as before--the getting, the
enjoying, the blessing of hunger that is appeased every day; the noble
incentives of unappeasable ambitions. All--all the blessings of life.
All--but the certitude immaterial and precious--the certitude of love
and faith. He believed the shadow of it had been with him as long as he
could remember; that invisible presence had ruled his life. And now the
shadow had appeared and faded he could not extinguish his longing for
the truth of its substance. His desire of it was naive; it was masterful
like the material aspirations that are the groundwork of existence, but,
unlike these, it was unconquerable. It was the subtle despotism of
an idea that suffers no rivals, that is lonely, inconsolable, and
dangerous. He went slowly up the stairs. Nobody shall know. The days
would go on and he would go far--very far. If the idea could not be
mastered, fortune could be, man could be--the whole world. He was
dazzled by the greatness of the prospect; the brutality of a practical
instinct shouted to him that only that which could be had was worth
having. He lingered on the steps. The lights were out in the hall, and
a small yellow flame flitted about down there. He felt a sudden contempt
for himself which braced him up. He went on, but at the door of their
room and with his arm advanced to open it, he faltered. On the flight of
stairs below the head of the girl who had been locking up appeared. His
arm fell. He thought, “I’ll wait till she is gone”--and stepped back
within the perpendicular folds of a portiere.
He saw her come up gradually, as if ascending from a well. At every step
the feeble flame of the candle swayed before her tired, young face, and
the darkness of the hall seemed to cling to her black skirt, followed
her, rising like a silent flood, as though the great night of the world
had broken through the discreet reserve of walls, of closed doors, of
curtained windows. It rose over the steps, it leaped up the walls like
an angry wave, it flowed over the blue skies, over the yellow sands,
over the sunshine of landscapes, and over the pretty pathos of ragged
innocence and of meek starvation. It swallowed up the delicious idyll
in a boat and the mutilated immortality of famous bas-reliefs. It flowed
from outside--it rose higher, in a destructive silence. And, above it,
the woman of marble, composed and blind on the high pedestal, seemed to
ward off the devouring night with a cluster of lights.
Public-domain text, read in full here on John Shaqi.
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