Thus Alvan Hervey and his wife for five prosperous years lived by the
side of one another. In time they came to know each other sufficiently
well for all the practical purposes of such an existence, but they were
no more capable of real intimacy than two animals feeding at the same
manger, under the same roof, in a luxurious stable. His longing was
appeased and became a habit; and she had her desire--the desire to get
away from under the paternal roof, to assert her individuality, to move
in her own set (so much smarter than the parental one); to have a
home of her own, and her own share of the world’s respect, envy, and
applause. They understood each other warily, tacitly, like a pair of
cautious conspirators in a profitable plot; because they were both
unable to look at a fact, a sentiment, a principle, or a belief
otherwise than in the light of their own dignity, of their own
glorification, of their own advantage. They skimmed over the surface
of life hand in hand, in a pure and frosty atmosphere--like two
skilful skaters cutting figures on thick ice for the admiration of
the beholders, and disdainfully ignoring the hidden stream, the stream
restless and dark; the stream of life, profound and unfrozen.
Alvan Hervey turned twice to the left, once to the right, walked along
two sides of a square, in the middle of which groups of tame-looking
trees stood in respectable captivity behind iron railings, and rang at
his door. A parlour-maid opened. A fad of his wife’s, this, to have only
women servants. That girl, while she took his hat and overcoat, said
something which made him look at his watch. It was five o’clock, and his
wife not at home. There was nothing unusual in that. He said, “No; no
tea,” and went upstairs.
He ascended without footfalls. Brass rods glimmered all up the red
carpet. On the first-floor landing a marble woman, decently covered from
neck to instep with stone draperies, advanced a row of lifeless toes
to the edge of the pedestal, and thrust out blindly a rigid white arm
holding a cluster of lights. He had artistic tastes--at home. Heavy
curtains caught back, half concealed dark corners. On the rich, stamped
paper of the walls hung sketches, water-colours, engravings. His tastes
were distinctly artistic. Old church towers peeped above green masses
of foliage; the hills were purple, the sands yellow, the seas sunny, the
skies blue. A young lady sprawled with dreamy eyes in a moored boat, in
company of a lunch basket, a champagne bottle, and an enamoured man in
a blazer. Bare-legged boys flirted sweetly with ragged maidens, slept
on stone steps, gambolled with dogs. A pathetically lean girl flattened
against a blank wall, turned up expiring eyes and tendered a flower for
sale; while, near by, the large photographs of some famous and mutilated
bas-reliefs seemed to represent a massacre turned into stone.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account