"The critics--some, but few,
Were worthy men; and earned renown which had
Immortal roots; but most were weak and vile;
And as a cloudy swarm of summer flies,
With angry hum and slender lance, beset
The sides of some huge animal; so did
They buzz about the illustrious man, and fain
With his immortal honour, down the stream
Of fame would have descended; but alas!
The hand of time drove them away: they were
Indeed a simple race of men, who had
One only art, which taught them still to say,
Whate'er was done might have been better done;
And with this art, not ill to learn, they made
A shift to live; but sometimes, too, beneath
The dust they raised, was worth awhile obscured:
And then did envy prophesy and laugh.
O envy! hide thy bosom! hide it deep:
A thousand snakes, with black, envenomed mouths,
Nest there, and hiss, and feed through all thy heart!"
"The manner in which cynical censors of artistic and moral worth proceed
is the same in every place and age. In Pope's time 'coxcombs' attempted
to 'vanquish Berkely with a grin,' and they would fain do the same
to-day. 'Is not this common,' exclaimed a renowned musician, 'the least
little critic, in reviewing some work of art, will say, pity this and
pity that--this should have been attired, that omitted? Yea, with his
wiry fiddle-string will he creak out his accursed variations. But let
him sit down and compose himself. He sees no improvements in variations
_then_.'"
The fault of which the censorious talker is guilty has been defined as a
"compound of many of the worst passions; latent pride, which discovers
the mote in a brother's eye, but hides the beam in our own; malignant
envy, which, wounded at the noble talents and superior prosperity of
others, transforms them into the objects and food of its malice, if
possible obscuring the splendour it is too base to emulate; disguised
hatred, which diffuses in its perpetual mutterings the irritable venom
of the heart; servile duplicity, which fulsomely praises to the face,
and blackens behind the back; shameless levity, which sacrifices the
peace and reputation of the absent, merely to give barbarous stings to a
jocular conversation: all together forming an aggregate the most
desolating on earth, and nearest in character to the malice of hell."
Public-domain text, read in full here on John Shaqi.
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