The five paragraphs in which Scott gives the historic background
should be taken frankly as a piece of work out of which the class is
to make as clear a conception of the period of the tale as possible.
The pupils should use their common sense and their intelligence in
studying it, getting all out of it that they can get. Then it should
be read aloud in the class, and carefully gone over. The aim should be
to have understood as clearly as possible what were the political and
the social conditions of the time when the events of the romance are
represented as taking place. Such other historic personages as enter
into the story without being mentioned in this preliminary sketch
should be brought into this exposition. Thus when King Richard and
Prince John and Robin Hood the semi-historic come upon the stage the
student will be prepared for the effect which the novelist intended,
and will have, moreover, that pleasure which a young reader always
feels in finding himself equal to an occasion.
This preliminary work being accomplished, the rest of the book will
probably have to be largely assigned for home reading. The opening
chapters, however, and the most striking scenes must certainly be read
aloud in class. A sufficient portion for a lesson will be assigned each
day. A list of words for that portion will be given out with it to be
learned first. No teacher will suppose, I fancy, that in every case a
student will master the vocabulary before he reads the selection, but
the principle is sound and the words would at least be all taken up in
class before any reading is done. Students should be told to read the
selection aloud at home, and should come to the class acquainted with
the meaning and significance of each passage, or prepared to ask about
them.
At the beginning of the novel, when the reader is learning the
situation and the characters concerned, the assignments must be shorter
than in the latter part of the book, when these things are understood
and the current of the tale runs more swiftly. The remainder of the
first chapter, from the paragraph beginning "The sun was setting" is
quite enough for a first instalment. The following words make up the
preliminary vocabulary:
Rites of druidical superstition.
Scrip.
Bandeau.
Harlequin.
Rational.
Quarter-staff.
Murrain.
Eumæus.
The method of treating the fiction itself has been sufficiently
indicated in the previous illustration from "Treasure Island," but may
be briefly touched upon. In this chapter of "Ivanhoe" are introduced
two characters. Both are described at some length, but in the case of
both important touches here and there add to the impression. Gurth is
said at the beginning to be stern and sad, and in the talk the reasons
come out.
"The mother of mischief confound the Ranger of the forest, that
cuts the foreclaws off our dogs, and makes them unfit for their
trade."
Public-domain text, read in full here on John Shaqi.
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