When not actually under the influence of this high exalting power of
poetry most men have a strange reluctance to admit that it is possible
for them to be so moved; and thus it may easily happen that what has
just been said may seem to the reader extravagant and florid. There are
happily few, however, to whom there have not come moments of inner
illumination, few who cannot if they will call up times when the
imagination has carried them away, and the delight of being so borne
above the actual was a revelation and a joy not easily to be put into
word. Recalling such an experience, you will not find it difficult to
understand what is meant by the claim that poetry creates in the mind of
man an ideal which in turn it justifies also.
Lastly and above all, the use of poetry is--poetry.
'Tis the deep music of the rolling world
Kindling within the strings of the waved air
Æolian modulations.
It is vain to endeavor to put into word the worth and office of poetry.
At the last we are brought face to face with the fact that anything
short of itself is inadequate to do it justice. To read a single page of
a great singer is more potent than to pore over volumes in his praise. A
single lyric puts to shame the most elaborate analysis or the most
glowing eulogy; in the end there is no resource but to appeal to the
inner self which is the true man; since in virtue of what is most deep
and noble in the soul, each may perceive for himself that poetry is its
own supreme justification; that there is no need to discuss the relation
of poetry to life, since poetry is the expression of life in its best
and highest possibilities.
INDEX
Abbot, J. S. C., "Rollo," 201.
Addison, 66.
Advertising, 168-170.
Æschylus, 149.
Aldrich, T. B., "Story of a Bad Boy," 11, 15.
Allusions, Biblical, 98-101;
to folk-lore, 106;
historical, 103-106;
literary, 107-108;
mythological, 101-103.
Amiel, "Journal Intime," 7.
Amiot, 90.
Andersen, Hans Christian, 196.
Apprehension, 74.
Ariosto, 143.
Art, conventions in, 89;
deals with the typical, 6;
end of, 87;
good, 22;
origin of, 3-5;
sanity of, 174;
truth in, 206;
truth of, 209;
_vs._ science, 32.
Artist, office of, 207.
Asbjörnsen, 196.
Augustine, St., "Confessions," 7.
Austen, Jane, 189.
Ballads, 222.
Balzac, 189.
Barrie, J. M., 211.
Bible, 101, 140, 142, 145, 197;
allusions to, 98-101;
as a classic, 143-147;
books of, characterized, 146;
quoted, 100, 228;
Revised Version _vs._ King James, 146.
Black, William, 13, 211.
Blackmore, R. D., 211.
Blake, William, 54, 66;
quoted, 58, 121, 252.
Boccaccio, 143.
Breeding, good, 204.
Brontë, Charlotte, 189.
Broughton, Rhoda, 185.
Browning, Mrs. E. B., quoted, 8, 132, 225, 241;
"Sonnets from the Portuguese," 7-9.
Public-domain text, read in full here on John Shaqi.
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