Dante with sympathy and delight can never again be wholly common and
unclean, no matter into what woful faults and follies he may thereafter
fall.
To come nearer home, readers are somewhat foolishly apt to feel that it
is about as difficult to read Chaucer as it is to read Homer or Dante.
As a matter of fact any intelligent and educated person should be able
to master the theories of the pronunciation of Chaucerian English in a
couple of mornings, and to read him with ease and pleasure in a week or
two at most. It is a pity that there is not a good complete edition of
Chaucer pointed and accented, so that the reader might not be troubled
with any consciousness of effort; but after all, the difficulty lies
more in the idea than in the fact. When one has mastered the language of
the thirteenth century, in company how enchanting does he find himself!
The sweetness, the wholesomeness, the kindliness, the sincerity, the
humor, and the humanity of Chaucer can hardly be over-praised.
Of Shakespeare,--"our myriad-minded Shakespeare,"--it seems almost
needless to speak. Concerning his poetry one may be silent because the
theme is so wide, and because writers so many and so able have already
discoursed upon the subject so eloquently. To attempt to-day to explain
why men should read Shakespeare is like entering into an argument to
prove that men should delight in the sunshine or to explain that the sea
is beautiful and wonderful. If readers to-day neglect this supreme
classic it is not from ignorance of its importance. It may be from a
want of realization of the pleasure and inspiration which the poet
affords. Those who have not tested it may doubt as one heart-whole
doubts the joys of love, and in either case only experience can make
wise.
Dryden's words may suffice here and stand for all the quotations which
might be made:--
To begin with Shakespeare. He was the man who of all modern and
perhaps ancient poets had the largest and most comprehensive soul. All
the images of nature were still present to him, and he drew them not
laboriously, but luckily: when he describes anything you more than see
it, you feel it.
The man who does not read and delight in this poet is scarcely to be
considered intellectually alive at all, as far as there is any
connection between the mind and literature; and the highest
intellectual crime of which an English-speaking man is capable is to
leave his Shakespeare to gather dust upon his shelves unread.
Public-domain text, read in full here on John Shaqi.
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