Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
There is very little of the “apologia” in the memoirs, and not much
of the impulse that urged most of his contemporaries to cover reams
of paper with their contradictory versions of history. He is usually
content to let documents tell the story. But, though Talleyrand
ignores most of the charges that were made against him, he naturally
reviews history in a light that sets his own career in harmony. Lady
Blennerhassett surmises that his chief object when he wrote in 1816
was to conciliate Louis XVIII, and prepare the way for a return to
power. Lord Acton has expressed the same opinion. It is based on the
dexterous presentation of the way in which he was forced into the
Revolution, the brevity with which he dismisses the more offensive
parts of his share in it, his explanation of Napoleon as a step towards
the Restoration, and the fulness of his account of his share in the
Restoration and the work at Vienna. But this theory has to struggle
desperately with the fact that his precautions against the publications
of the memoirs before the appointed time were absolute, and must have
been sincere. Nothing would have been easier for a man like Talleyrand
than to have secured an accidental disclosure or theft of his papers;
and the fact that he used to read passages from them to a few of his
friends does not further his supposed plan in the slightest degree.
Ordinary conversation with them would do just as well. On the other
hand, we can quite understand the air of progressive policy he gives
to his career by merely assuming that he wished to make it appear
consistent. A statesman who was convinced that monarchy was the best
form of government for France, and who, nevertheless, took a purely
rationalist and utilitarian view of monarchy, would deal just in that
way with his share in the Revolution and the Napoleonic era. It was a
minor comfort to the epicurean to leave a rounded version of his life
to posterity.
Public-domain text, read in full here on John Shaqi.
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