Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
Anthrax had set in on May 11th, and all Paris was interested in the end
of the great diplomatist and the question of reconciliation. Candles
were burning in every chapel in the city. Messengers were running to
and fro between Saint Sulpice and the archbishop’s house, as they
had run so many times between foreign embassies when Talleyrand was
obstinate. On the evening of the 16th he was visibly sinking, and his
niece implored him to sign the form. He promised to do so at six in
the morning. When he grew worse during the night, and they pressed him
to sign, he observed it was not yet six. When the hour came Dupanloup
sent in to him the little Pauline dressed for her first communion,
and as Talleyrand caressed her the clock struck six. Dupanloup and
the witnesses entered, and Talleyrand signed. “I have never ceased,”
the paper ended, “to regard myself as a child of the Church. I again
deplore the actions of my life that have caused it pain, and my last
wishes are for its supreme head.” Dupanloup had politely refrained from
inserting such phrases as “sin” and “repentance.” It was a gracious
acknowledgment of errors committed in a wayward age. This was the
price of a peaceful and honourable burial. Gregory XVI is said to have
described it as one of the triumphs of his reign. The document was
antedated two months.
During the day the King came to bid him farewell. Talleyrand was
greatly moved at the honour, and received the King ceremoniously.
Dupanloup was in constant attendance, and succeeded in inducing him
to confess and receive the sacraments. As the day wore on he became
more and more exhausted, and approached the end. In the adjoining room
all Paris was waiting for the close. Statesmen, nobles and scholars,
young and old, were gathered in little groups before the curtain that
cut off the bedroom from the library. At a quarter to four the doctor
was called, and there was a general movement towards the door. The
curtain was drawn back, and all saw the figure of the Prince. He sat
on the edge of the bed supported by two servants—a “dying lion,” says
one witness. His long, white hair now hung loosely about the pallid
and shrunken face. The head drooped on the chest, but now and again he
slowly raised it and looked with the last faint shadow of a smile on
the great crowd that had come to pay the tribute of France. It was a
“grand spectacle,” said Royer-Collard; the fall of “the last cedar of
Lebanon.” He “died in public,” “died amidst regal pomp and reverence,”
say other eyewitnesses. The duchess and her daughter knelt by the
bedside. He was conscious to the end—conscious that his career was
ending amidst a manifestation of love, power and profound respect as
great as he could ever have wished.
Public-domain text, read in full here on John Shaqi.
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