Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
But Talleyrand had now completed the first part of his career, and was
about to enter the path of diplomacy. Paris became less attractive
every month. He began to think of foreign embassies. No doubt these
also were forbidden by the September decree, but in regard to these at
least it was possible to evade the measure. Moreover, war had at length
been decided on, and Talleyrand would be of use in keeping England
neutral. Early in December we find an active correspondence going
on between Talleyrand, Narbonne (now Minister of War) and de Biron
(formally Lauzun). Talleyrand, in the capital, is evidently in close
touch with the new Ministry, and not without influence over de Lessart.
De Biron is pressed to take up military command; he in turn suggests
that an ambassador should be sent to London. Talleyrand proposes De
Biron himself, who knows London well. De Biron cannot be spared from
the army, and suggests Talleyrand. De Lessart, the Minister, presses
him to accept, and in January he starts for England, with an informal
diplomatic mission.
Talleyrand left his country, but not Paris, with reluctance. The Paris
he had so much enjoyed up to 1789 was changed, desecrated, beyond
endurance. Closed now were most of the fine salons where he had played
and talked. Hardly could a Mme. de Staël and a few survivors restore
some faint gleam of the faded brilliance. Even her, with all her
devotion to him and her great helpfulness, he never loved. “I believe
we are both in it, disguised as women,” he said, with piercing cruelty,
of the novel in which she afterwards depicted their relations.[21]
Apart from one or two houses, Paris was getting insufferable. Ugliness,
vulgarity, strident pedantry of the ignorant sort, followed one
everywhere. Your servant, sweeping the salon while you spoke to
your visitor, could join in the conversation. “Who? Montmorin? He’s
a scoundrel,” interrupted one, while his mistress and visitor were
discussing the late minister. The drawing-rooms of new Paris were hung
with blatant caricatures. Ladies wore the tricolour even in the shape
of boots. Jewellery had been replaced by bits of Bastille stone. Some
wore red dresses, of the shade “Foulon’s blood.” The graceful furniture
of the preceding generation was replaced by pseudo-classic of the
crudest sort.
Public-domain text, read in full here on John Shaqi.
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