Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
Three points about her are clearly established. She was very
beautiful—“the beauty of two centuries,” one enthusiast says—not at
all cultured, and very far from puritanical. Her lithe, graceful
figure, pure white forehead, wide-opened, tender blue eyes, with long,
dark lashes, and especially her long, soft, golden-brown hair —“the
most wonderful hair in Europe”—are described by contemporaries with
some warmth. The obvious strain of Indian blood in her complexion
and bearing increased the charm, and her intellectual deficiency was
not accentuated by any attempt to conceal it. She seems to have been
devoted to her distinguished protector, and although she later admitted
a Spanish prince to a share in her affection, she always spoke of
him with great admiration. Talleyrand must have loved her in return.
It is true that he only married her under compulsion from Napoleon,
but most of his biographers quite wrongly suppose that he was, from
the ecclesiastical point of view, _ever_ free to marry. They lived
together, affectionately and faithfully, as far as one can tell,
until—twelve years later—the Princess Talleyrand was infatuated by the
Prince of Spain. Talleyrand explains his choice of a woman without
culture on the ground that “a woman of intelligence often compromises
her husband; without it, she can only compromise herself.” The truth
seems to be that there was no calculation whatever in the match. The
plain phrase, he fell in love with her, accurately describes what
happened. A man of exceptional mental power often finds the ablest
of his female contemporaries, with their strain and effort to reach
his level, impossible companions; moreover, Talleyrand was a deeply
amorous and uxorious man. When friends had pointed out to him that his
actress-friend at Saint Sulpice was without mental gifts, he said he
had not noticed it. Mme. de Flahaut—for whom, however, one can only
admit a qualified attachment—had kept almost the only non-political
house in Paris before the Revolution.
[Illustration: _From an engraving, after a picture by F. Gérard._
MADAME TALLEYRAND.]
Public-domain text, read in full here on John Shaqi.
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