‘Yet again, and Europe is in the throes of a great birth. The multitudes again are brooding; but they are not now in the forest; they are in the cities and in the fertile plains. Since the first sun of this century rose, the intellectual colony of Arabia, once called Christendom, has been in a state of partial and blind revolt. Discontented, they attributed their suffering to the principles to which they owed all their happiness, and in receding from which they had become proportionately miserable. They have hankered after other gods than the God of Sinai and of Calvary, and they have achieved only desolation. Now they despair. But the eternal principles that controlled barbarian vigour can alone cope with morbid civilisation. The equality of man can only be accomplished by the sovereignty of God. The longing for fraternity can never be satisfied but under the sway of a common father. The relations between Jehovah and his creatures can be neither too numerous nor too near. In the increased distance between God and man have grown up all those developments that have made life mournful. Cease, then, to seek in a vain philosophy the solution of the social problem that perplexes you. Announce the sublime and solacing doctrine of theocratic equality. Fear not, faint not, falter not. Obey the impulse of thine own spirit, and find a ready instrument in every human being.’ A sound, as of thunder, roused Tancred from his trance. He looked around and above. There rose the mountains sharp and black in the clear purple air; there shone, with undimmed lustre, the Arabian stars; but the voice of the angel still lingered in his ear. He descended the mountain: at its base, near the convent, were his slumbering guards, some steeds, and crouching camels. CHAPTER XXXVII. _Fakredeen is Curious_ THE beautiful daughter of Besso, pensive and abstracted, played with her beads in the pavilion of her grandfather. Two of her maidens, who had attended her, in a corner of this inner compartment, accompanied the wild murmur of their voices on a stringed instrument, which might in the old days have been a psaltery. They sang the loves of Antar and of Ibla, of Leila and of Mejnoun; the romance of the desert, tales of passion and of plunder, of the rescue of women and the capture of camels, of heroes with a lion heart, and heroines brighter and softer than the moon. The beautiful daughter of Besso, pensive and abstracted, played with her beads in the pavilion of her grandfather. Why is the beautiful daughter of Besso pensive and abstracted? What thoughts are flitting over her mind, silent and soft, like the shadows of birds over the sunshiny earth?