When therefore Baroni, wearied and a little disgusted with an unpromising journey, returned from Berg in the evening, and, in consequence of the message of his children, repaired instantly to the hotel of Sidonia, his astonishment was great when he found the manager converted into a millionaire, and that too the most celebrated in Europe. But no language can convey his wonder when he learnt the career that was proposed to him, and the fortunes that were carved out for his children. He himself was to repair, with all his family, except Josephine and her elder brother, at once to Vienna, where he was to be installed into a post of great responsibility and emolument. He was made superintendent of the couriers of the house of Sidonia in that capital, and especially of those that conveyed treasure. Though his duties would entail frequent absences on him, he was to be master of a constant and complete establishment. Alfred was immediately to become a pupil of the Academy of Painters, and Carlotta of that of dancing; the talents of Michel were to be watched, and to be reported to Sidonia at fitting periods. As for Adele, she was consigned to a lady who had once been a celebrated prima donna, with whom she was to pursue her studies, although still residing under the paternal roof. ‘Josephine will repair to Paris at once with her brother,’ said Sidonia. ‘My family will guard over her. She will enjoy her brother’s society until I commence my travels. He will then accompany me.’ It is nearly twenty years since these incidents occurred, and perhaps the reader may feel not altogether uninterested in the subsequent fate of the children of Baroni. Mademoiselle Josephine is at this moment the glory of the French stage; without any question the most admirable tragic actress since Clairon, and inferior not even to her. The spirit of French tragedy has risen from the imperial couch on which it had long slumbered since her appearance, at the same time classical and impassioned, at once charmed and commanded the most refined audience in Europe. Adele, under the name of Madame Baroni, is the acknowledged Queen of Song in London, Paris, Berlin, and St. Petersburg; while her younger sister, Carlotta Baroni, shares the triumphs, and equals the renown, of a Taglioni and a Cerito. At this moment, Madame Baroni performs to enthusiastic audiences in the first opera of her brother Michel, who promises to be the rival of Meyerbeer and Mendelssohn; all delightful intelligence to meet the ear of the soft-hearted Alfred, who is painting the new chambers of the Papal palace, a Cavaliere, decorated with many orders, and the restorer of the once famous Roman school. ‘Thus,’ continued Baroni to Tancred, ‘we have all succeeded in life because we fell across a great philosopher, who studied our predisposition. As for myself, I told M. de Sidonia that I wished to travel and to be unknown, and so he made of me a secret agent.’