Madame von Marwitz's silence in regard to the Bouddha had already become
a blight, but it was, perhaps, the growing crisp decision in Gregory's
manner that made Karen first aware of constraint. Her eyes then turned
from Tante to the shrine at the end of the room, and she said: "You
don't care for the way it looks here, Tante, do you--your present?"
Madame von Marwitz had finished her tea and she turned in the sofa so
that she could consider the Bouddha no longer incidentally but
decisively. "I am glad that it is yours, _ma chérie_," she said, after
the pause of her contemplation. "Some day you must place it more
happily. You don't intend, do you, Mr. Jardine, to live for any length
of time in these rooms?"
"Oh, but I like it here so much, Tante," Karen took upon herself the
reply. "I want to go on living where Gregory has lived for so long. We
have such a view, you see; and such air."
Madame von Marwitz mused upon her for a moment and then giving her chin
a little pinch, half meditative, half caressing, she inquired, with
Continental frankness: "A very pretty sentiment, _ma petite_, but what
will you do when the babies come?"
Karen was not disconcerted. "I rather hope we may not have babies for a
year or two, Tante; and when they do come there will be room, quite
happily, for several. You don't know how big the flat is; you will see.
Gregory has always been able to put up his married sister and her
husband; that gives us one quite big room over and a small one."
"But then you can have no friends if your rooms are full of babies,"
Madame von Marwitz objected, still with mild playfulness.
"No," Karen had to admit it; "but while they were very small I do not
think I should have much time for friends in the house, should I. And we
think, Gregory and I, of soon taking a tiny cottage in the country,
too."
"Then, while you remain here, and unless my Bouddha is to look very
foolish," said Madame von Marwitz, "you must, I think, change your
drawing-room. It can be changed," she gazed about her with a touch of
wildness. "Something could be done. It could be darkened; quieted; it
talks too much and too loudly now, does it not? But you could move these
so large chairs and couches away and have sober furniture, of a good
period; one can still pick up good things if one is clever; a Chinese
screen here and there; a fine old mirror; a touch of splendour; a
flavour of dignity. The shape of the room is not impossible; the
outlook, as you say, gives space and breathing; something could be
done."
Karen's gaze followed hers, cogitating but not acquiescent. "But you
see, Tante," she remarked, "these are things that Gregory has lived
with. And I like them so, too. I should not like them changed."
Public-domain text, read in full here on John Shaqi.
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