India -- History -- 1526-1765 -- Fiction; Maratha (Indic people) -- History -- Fiction
At the period of our tale, however, the building was in its full
freshness and beauty. A single arch, of low Saracenic form, led into
a square room vaulted by delicate groins, leading from the corners
to the base of a cupola above. The floor was formed of chequers of
black and white marble, highly polished; and the sides of the room,
deeply indented by arched niches, were finished with stucco, which
rivalled the marble in polish and purity of colour. Around the largest
niche, at the end opposite to the entrance, and the arch in which the
pulpit stood, were borders of delicate arabesque foliage, into which
texts from the Kôrán, in coloured enamel letters, were skilfully and
elegantly interwoven; while above the pulpit itself, in gold letters on
a black ground, was the Arabic text, "La Alla, il Alla, Mahomed russool
Alla;" "There is no God but one God, and Mahomed is the prophet of
God." Two plain cotton carpets, striped red and white, had been placed
before the pulpit, to be used by those who might come to the evening
prayer.
Outside, the front of the mosque was composed of the dark-coloured
basalt used in all the buildings of the city, beautifully finished as
to the fitting of the stones, on which bold cornices and rosettes had
been executed round the entrance arch, and about the projecting portion
which supported the small minarets. Immediately above the archway,
broad stone eaves crossed the face of the building, resting upon deep
and richly carved brackets of black basalt, surmounted by a bold
cornice, over which were fleurs-de-lis, forming the upper ornament.
Under the projecting eaves, and on the crest of the entrance arch, were
bright flowers in coloured enamel, bordered by frames of delicate white
stucco work, which relieved the rich but monotonous tint of the stone,
without disturbing the chaste effect of the whole. In the centre of
the terrace, before the mosque, was a small fountain, for the purpose
of ablution, which threw up a tiny thread of water to some height in
the air, descending in a shower of light spray, and producing a faint,
plashing sound, very grateful to the ear.
Above the mosque, and mingling with its slender minarets and thin
gilded spires, a few cocoa-nut trees waved their graceful pendant
leaves; and with them the heavy foliage of the fragrant moulserry, and
the broad leaf of the plantain, with its tender yet vivid green, formed
an harmonious contrast. Nearer the terrace was a group of orange trees,
some weighed down by clusters of golden fruit, others covered with
blossom, which, with the tuberoses around the fountain, and the evening
jessamine now opening, gave forth to the cool evening air a fragrance
almost overpowering. By day, the sun hardly ever reached the mosque,
and it always appeared invitingly cool and quiet; but at this evening
hour, shadow was rapidly deepening into gloom, adding a solemn effect
which enhanced the beauty of this secluded spot.
Public-domain text, read in full here on John Shaqi.
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