India -- History -- 1526-1765 -- Fiction; Maratha (Indic people) -- History -- Fiction
Once the broad corridor at either side was reached by the visitors
there was no further interruption; and though the war of struggle,
gibe, and quarrel, peculiar to such an assembly, came hoarsely and
with a stifled sound through the arches into the hall:--within, there
was a decorous, if not, indeed, a solemn and impressive silence. Men
spoke to each other hardly above their breath; and the soft murmur
arising from thousands of such half whispers ascended and seemed to
float tremblingly among the balconies, and up to the lofty roof of the
building.
The King had early taken his seat. The musnud, or royal throne, was
under the centre of the balcony before mentioned, upon a dais, raised
a step above the general floor of the hall. There was no decoration
visible upon it; and it consisted of a wide cushion and pillows,
covered with white muslin, supported at the back and sides by a railing
of wood, covered with plates of gold which, indeed, appeared as if of
solid gold. On the right hand of the King, who was dressed in simple
white muslin, with a single gold ornament in his turban, sat the Peer
Bundagee Sahib, the religious instructor we have before mentioned; and
at the back of the rail the Secretary, with two young nobles, whose
hereditary office it was to wave over the King the jewelled Mórchas, or
fans of peacock feathers.
Farther again behind, among the arches, closing up the entrance to the
cloisters, and leaning against the pillars, were servants bearing the
King's weapons, the Aftábgeeree, or sun-shades, the royal umbrellas,
and the private guard of slaves, mostly Nubian eunuchs.
Like the monarch's seat, the whole of the floor was covered by quilted
cotton carpets, over which white muslin was spread; so that, with the
exception of here and there a coloured scarf or waist-belt, and an
occasional turban ornament, the whole of the persons seated wore the
same character of dress as the King, with little variation. In some
respects the assembly had a monotonous appearance; but, on the other
hand, the effect was chaste and solemn, and agreed with the plain
undecorated character of the building.
The privileged attendants, however, who were allowed entrance with
their masters, and who stood in files behind them against the wall,
were dressed in the brightest and gayest colours which could be
devised. Here were tunics of satin and cloth-of-gold, brocaded turbans
and scarfs of the richest materials, mingled together in the greatest
profusion; and this brilliant array, in which all hues seemed to blend
with a strangely gorgeous harmony, formed a powerful background in
relief of the white dresses, and white coverings of the floor.
Public-domain text, read in full here on John Shaqi.
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