India -- History -- 1526-1765 -- Fiction; Maratha (Indic people) -- History -- Fiction
Just then, one of the ordinary processions round the temple formed
opposite the shrine. Priests, bearing offerings of flowers and lighted
lamps, holy water and incense, preceded by musicians, and chanting
a hymn, passed out into the court. Several of the temple girls were
dancing before it; and Tara, led on by an excitement she could not
control, had seized a pair of cymbals, and began to clash them in the
cadence of the hymn as the procession moved.
Three times round and round did the priests pass, and at the second
Gunga joined it, dancing wildly and tossing her arms on high as she
circled with the rest. Tara, however, remained among the priests,
singing with them; yet, in the elastic grace of her step, as well as in
the expression of her face, it was evident that she shared the fervour
of the scene, and could not control herself, while her clear ringing
voice mingled sweetly with the deeper-toned chant of the men.
Maloosray saw Tara, and watched the eyes of Moro Trimmul wandering from
one girl to the other with an intense expression of passion. "Ah, my
poor friend!" he said to himself, "that is the devil sitting at thy
heart, and looking out of thine eyes! Alas! alas! who is she--that
girl?" he asked of Jeswunt Rao, who sat by him.
"She is our new Moorlee," replied the man; "is she not beautiful?--But
listen to Moro Trimmul."
CHAPTER XLVIII.
Never had the Brahmun's art been so effectively exercised by him
before. In the recitation of passages from the Ramayun his voice, high
and sonorous, pervading every portion of the court, delivered the
appeals to war, the description of the demigod's forces, and portions
of the battles, with a power which was listened to with breathless
interest; while the pleadings of Seeta, the beloved wife, and her
passionate confessions of love, were accompanied by tender actions,
and tones as low and sweet as a woman's. Now rolled forth the majestic
Sanscrit verse in its measured numbers, and again it was changed to the
sweet Mahratta vernacular, that all could understand. At every interval
the applause of the whole assembly arose in hoarse murmurs and loud
clapping of hands, while many wept passionately.
No one would have moved till morning, but there was yet much to do;
and, as Moro Trimmul sat down, Vyas Shastree ordered the distribution
of wreaths of flowers to the chief guests, which announced the close of
recitation for the night. Now, therefore, the main body of the people
got up and began to separate, and in a short time only those were left
who had been specially requested to stay. Now, too, the cressets, no
longer fed with oil, went out one by one; and the deep gloom of night
was fast spreading over the courts and buildings around.
"Will you not remain, Shastree," said Moro Trimmul, "to speak with
these people?"
"No," he said; "no; there is no one to go home with the women. I
thought you would accompany them."
"It will be late," he replied, gloomily; "no, I cannot come to-night."
Public-domain text, read in full here on John Shaqi.
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