“Ivan Nikiforovitch, don’t you make peace with him, nor ask his forgiveness; he wants to ruin you; that’s the kind of man he is! you don’t know him yet!” That cursed woman whispered and whispered, and managed so that Ivan Nikiforovitch would not even hear Ivan Ivanovitch mentioned. Everything assumed another aspect. If his neighbour’s dog ran into the yard, it was beaten within an inch of its life; the children, who climbed over the fence, were sent back with howls, their little shirts stripped up, and marks of a switch behind. Even the old woman, when Ivan Ivanovitch ventured to ask her about something, did something so insulting that Ivan Ivanovitch, being an extremely delicate man, only spit, and muttered, “What a nasty woman! even worse than her master!” Finally, as a climax to all the insults, his hated neighbour built a goose-shed right against his fence at the spot where they usually climbed over, as if with the express intention of redoubling the insult. This shed, so hateful to Ivan Ivanovitch, was constructed with diabolical swiftness--in one day. This aroused wrath and a desire for revenge in Ivan Ivanovitch. He showed no signs of bitterness, in spite of the fact that the shed encroached on his land; but his heart beat so violently that it was extremely difficult for him to preserve his calm appearance. He passed the day in this manner. Night came--Oh, if I were a painter, how magnificently I would depict the night’s charms! I would describe how all Mirgorod sleeps; how steadily the myriads of stars gaze down upon it; how the apparent quiet is filled far and near with the barking of dogs; how the love-sick sacristan steals past them, and scales the fence with knightly fearlessness; how the white walls of the houses, bathed in the moonlight, grow whiter still, the overhanging trees darker; how the shadows of the trees fall blacker, the flowers and the silent grass become more fragrant, and the crickets, unharmonious cavaliers of the night, strike up their rattling song in friendly fashion on all sides. I would describe how, in one of the little, low-roofed, clay houses, the black-browed village maid, tossing on her lonely couch, dreams with heaving bosom of some hussar’s spurs and moustache, and how the moonlight smiles upon her cheeks. I would describe how the black shadows of the bats flit along the white road before they alight upon the white chimneys of the cottages.