Taras Bulba, and Other TalesGogol, Nikolai Vasilevich
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Taras Bulba, and Other Tales
Gogol, Nikolai Vasilevich
Russia -- Fiction; Short stories
Having done this, he lay done more at ease on his bed, and began to
meditate upon the poverty and pitiful lot of the artist, and the thorny
path lying before him in the world. But meanwhile his eye glanced
involuntarily through the joint of the screen at the portrait muffled in
the sheet. The light of the moon heightened the whiteness of the sheet,
and it seemed to him as though those terrible eyes shone through the
cloth. With terror he fixed his eyes more steadfastly on the spot, as if
wishing to convince himself that it was all nonsense. But at length he
saw--saw clearly; there was no longer a sheet--the portrait was quite
uncovered, and was gazing beyond everything around it, straight at
him; gazing as it seemed fairly into his heart. His heart grew cold. He
watched anxiously; the old man moved, and suddenly, supporting himself
on the frame with both arms, raised himself by his hands, and, putting
forth both feet, leapt out of the frame. Through the crack of the
screen, the empty frame alone was now visible. Footsteps resounded
through the room, and approached nearer and nearer to the screen. The
poor artist’s heart began beating fast. He expected every moment, his
breath failing for fear, that the old man would look round the screen
at him. And lo! he did look from behind the screen, with the very same
bronzed face, and with his big eyes roving about.
Tchartkoff tried to scream, and felt that his voice was gone; he tried
to move; his limbs refused their office. With open mouth, and failing
breath, he gazed at the tall phantom, draped in some kind of a flowing
Asiatic robe, and waited for what it would do. The old man sat down
almost on his very feet, and then pulled out something from among the
folds of his wide garment. It was a purse. The old man untied it, took
it by the end, and shook it. Heavy rolls of coin fell out with a dull
thud upon the floor. Each was wrapped in blue paper, and on each was
marked, “1000 ducats.” The old man protruded his long, bony hand from
his wide sleeves, and began to undo the rolls. The gold glittered. Great
as was the artist’s unreasoning fear, he concentrated all his attention
upon the gold, gazing motionless, as it made its appearance in the bony
hands, gleamed, rang lightly or dully, and was wrapped up again. Then he
perceived one packet which had rolled farther than the rest, to the very
leg of his bedstead, near his pillow. He grasped it almost convulsively,
and glanced in fear at the old man to see whether he noticed it.
Public-domain text, read in full here on John Shaqi.
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