Taras Bulba, and Other TalesGogol, Nikolai Vasilevich
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Taras Bulba, and Other Tales
Gogol, Nikolai Vasilevich
Russia -- Fiction; Short stories
“What am I to do with them?” thought the artist. “If they will have it
so, why, let Psyche pass for what they choose:” and added aloud, “Pray
sit a little: I will touch it up here and there.”
“Ah! I am afraid you will... it is such a capital likeness now!”
But the artist understood that the difficulty was with respect to the
sallowness, and so he reassured them by saying that he only wished
to give more brilliancy and expression to the eyes. In truth, he was
ashamed, and wanted to impart a little more likeness to the original,
lest any one should accuse him of actual barefaced flattery. And the
features of the pale young girl at length appeared more closely in
Psyche’s countenance.
“Enough,” said the mother, beginning to fear that the likeness might
become too decided. The artist was remunerated in every way, with
smiles, money, compliments, cordial pressures of the hand, invitations
to dinner: in short, he received a thousand flattering rewards.
The portrait created a furore in the city. The lady exhibited it to her
friends, and all admired the skill with which the artist had preserved
the likeness, and at the same time conferred more beauty on the
original. The last remark, of course, was prompted by a slight tinge of
envy. The artist was suddenly overwhelmed with work. It seemed as if the
whole city wanted to be painted by him. The door-bell rang incessantly.
From one point of view, this might be considered advantageous, as
presenting to him endless practice in variety and number of faces. But,
unfortunately, they were all people who were hard to get along with,
either busy, hurried people, or else belonging to the fashionable
world, and consequently more occupied than any one else, and therefore
impatient to the last degree. In all quarters, the demand was merely
that the likeness should be good and quickly executed. The artist
perceived that it was a simple impossibility to finish his work; that it
was necessary to exchange power of treatment for lightness and rapidity,
to catch only the general expression, and not waste labour on delicate
details.
Public-domain text, read in full here on John Shaqi.
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