Taras Bulba, and Other TalesGogol, Nikolai Vasilevich
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Taras Bulba, and Other Tales
Gogol, Nikolai Vasilevich
Russia -- Fiction; Short stories
“The thought of it troubled him all day and all night; but the next
morning he received the portrait from the usurer, by a woman who was the
only creature in his service, and who announced that her master did not
want the portrait, and would pay nothing for it, and had sent it back.
On the evening of the same day he learned that the usurer was dead, and
that preparations were in progress to bury him according to the rites of
his religion. All this seemed to him inexplicably strange. But from that
day a marked change showed itself in his character. He was possessed by
a troubled, uneasy feeling, of which he was unable to explain the cause;
and he soon committed a deed which no one could have expected of him.
For some time the works of one of his pupils had been attracting the
attention of a small circle of connoisseurs and amateurs. My father
had perceived his talent, and manifested a particular liking for him
in consequence. Suddenly the general interest in him and talk about him
became unendurable to my father who grew envious of him. Finally, to
complete his vexation, he learned that his pupil had been asked to paint
a picture for a recently built and wealthy church. This enraged him.
‘No, I will not permit that fledgling to triumph!’ said he: ‘it is
early, friend, to think of consigning old men to the gutters. I still
have powers, God be praised! We’ll soon see which will put down the
other.’
“And this straightforward, honourable man employed intrigues which
he had hitherto abhorred. He finally contrived that there should be a
competition for the picture which other artists were permitted to enter
into. Then he shut himself up in his room, and grasped his brush with
zeal. It seemed as if he were striving to summon all his strength up for
this occasion. And, in fact, the result turned out to be one of his best
works. No one doubted that he would bear off the palm. The pictures were
placed on exhibition, and all the others seemed to his as night to day.
But of a sudden, one of the members present, an ecclesiastical personage
if I mistake not, made a remark which surprised every one. ‘There
is certainly much talent in this artist’s picture,’ said he, ‘but no
holiness in the faces: there is even, on the contrary, a demoniacal look
in the eyes, as though some evil feeling had guided the artist’s hand.’
All looked, and could not but acknowledge the truth of these words. My
father rushed forward to his picture, as though to verify for himself
this offensive remark, and perceived with horror that he had bestowed
the usurer’s eyes upon nearly all the figures. They had such a
diabolical gaze that he involuntarily shuddered. The picture was
rejected; and he was forced to hear, to his indescribable vexation, that
the palm was awarded to his pupil.
Public-domain text, read in full here on John Shaqi.
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