Adventure stories; Fantasy fiction; Tarzan (Fictitious character) -- Fiction
That night, hungry and cold, he slept in the crotch of a great tree
while the hunting carnivore roared, and coughed, and growled through the
blackness of the jungle about him. Shivering with terror he started
momentarily to fearful wakefulness, and when, from exhaustion, he would
doze again it was not to rest but to dream of horrors that a sudden roar
would merge into reality. Thus the long hours of a frightful night
dragged out their tedious length, until it seemed that dawn would never
come. But come it did, and once again he took up his stumbling way
toward the west.
Reduced by fear and fatigue and pain to a state bordering upon half
consciousness, he blundered on, with each passing hour becoming
perceptibly weaker, for he had been without food or water since he had
deserted his companions more than thirty hours before.
Noon was approaching. Kraski was moving but slowly now with frequent
rests, and it was during one of these that there came to his numbed
sensibilities an insistent suggestion of the voices of human beings not
far distant. Quickly he shook himself and attempted to concentrate his
waning faculties. He listened intently, and presently with a renewal of
strength he arose to his feet.
There was no doubt about it. He heard voices but a short distance away
and they sounded not like the tones of natives, but rather those of
Europeans. Yet he was still careful, and so he crawled cautiously
forward, until at a turning of the trail he saw before him a clearing
dotted with trees which bordered the banks of a muddy stream. Near the
edge of the river was a small hut thatched with grasses and surrounded
by a rude palisade and further protected by an outer boma of thorn
bushes.
It was from the direction of the hut that the voices were coming, and
now he clearly discerned a woman’s voice raised in protest and in anger,
and replying to it the deep voice of a man.
Slowly the eyes of Carl Kraski went wide in incredulity, not unmixed
with terror, for the tones of the voice of the man he heard were the
tones of the dead Esteban Miranda, and the voice of the woman was that
of the missing Flora Hawkes, whom he had long since given up as dead
also. But Carl Kraski was no great believer in the supernatural.
Disembodied spirits need no huts or palisades, or bomas of thorns. The
owners of those voices were as live—as material—as he.
Public-domain text, read in full here on John Shaqi.
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