“Then stand aside,” cried Kraski, and as the girl wrenched herself free from the grasp of Miranda the Russian leveled his automatic and fired point-blank at the Spaniard. The bullet missed its target; the empty shell jammed in the breach and as Kraski pulled the trigger again with no result he glanced at his weapon and, discovering its uselessness, hurled it from him with an oath. As he strove frantically to bring his rifle into action Esteban threw back his spear hand with the short, heavy spear that he had learned by now so well to use, and before the other could press the trigger of his rifle the barbed shaft tore through his chest and heart. Without a sound Carl Kraski sank dead at the foot of his enemy and his rival, while the woman both had loved, each in his own selfish or brutal way, sank sobbing to the ground in the last and deepest depths of despair. Seeing that the other was dead, Esteban stepped forward and wrenched his spear from Kraski’s body and also relieved his dead enemy of his ammunition and weapons. As he did so his eyes fell upon a little bag made of skins which Kraski had fastened to his waist by the grass rope he had recently fashioned to uphold his primitive skirt. The Spaniard felt of the bag and tried to figure out the nature of its contents, coming to the conclusion that it was ammunition, but he did not examine it closely until he had carried the dead man’s weapons into his hut, where he had also taken the girl, who crouched in a corner, sobbing. “Poor Carl! Poor Carl!” she moaned, and then to the man facing her: “You beast!” “Yes,” he cried, with a laugh, “I am a beast. I am Tarzan of the Apes, and that dirty Russian dared to call me Esteban. I am Tarzan! I am Tarzan of the Apes!” he repeated in a loud scream. “Who dares call me otherwise dies. I will show them. I will show them,” he mumbled. The girl looked at him with wide and flaming eyes and shuddered. “Mad,” she muttered. “Mad! My God—alone in the jungle with a maniac!” And, in truth, in one respect was Esteban Miranda mad—mad with the madness of the artist who lives the part he plays. And for so long, now, had Esteban Miranda played the part, and so really proficient had he become in his interpretation of the noble character, that he believed himself Tarzan, and in outward appearance he might have deceived the ape-man’s best friend. But within that godlike form was the heart of a cur and the soul of a craven. “He would have stolen Tarzan’s mate,” muttered Esteban. “Tarzan, Lord of the Jungle! Did you see how I slew him, with a single shaft? You could love a weakling, could you, when you could have the love of the great Tarzan!” “I loathe you,” said the girl. “You are indeed a beast. You are lower than the beasts.”